03718nam 22007815 450 991048494790332120250610110105.09783030571498303057149110.1007/978-3-030-57149-8(CKB)4100000011679210(DE-He213)978-3-030-57149-8(MiAaPQ)EBC6437689(Perlego)3481854(MiAaPQ)EBC29092919(EXLCZ)99410000001167921020201223d2020 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierShakespeare and Costume in Practice /by Bridget Escolme1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (XI, 215 p.) Shakespeare in Practice9783030571481 3030571483 Includes bibliographical references and index.1. Chapter One: Introduction -- 2. Chapter Two: Hamlet, Mourning and the Disappearing Costume: Inky Cloaks and Solemn Black -- 3. Chapter Three: Much Ado About Nothing, Restorative Nostalgia and the Costume Drama: Tires and Rebatoes, Corsets and Lace -- 4. Chapter Four: The Post-Colonial Tempest: Costume and Race -- 5. Chapter Five: Conclusion: Practitioner Interviews.What is the role of costume in Shakespeare production? Shakespeare and Costume in Practiceargues that costume design choices are central not only to the creation of period setting and the actor's work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre - and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.Shakespeare in PracticeEuropean literatureRenaissance, 1450-1600TheaterProduction and directionTheaterHistoryCultural industriesTheaterLiteratureHistory and criticismStage managementEarly Modern and Renaissance LiteratureTheatre Direction and ProductionTheatre HistoryTheatre IndustryLiterary HistoryTechnology and StagecraftEuropean literatureTheaterProduction and direction.TheaterHistory.Cultural industries.Theater.LiteratureHistory and criticism.Stage management.Early Modern and Renaissance Literature.Theatre Direction and Production.Theatre History.Theatre Industry.Literary History.Technology and Stagecraft.822.33Escolme Bridget1964-948747MiAaPQMiAaPQMiAaPQBOOK9910484947903321Shakespeare and costume in practice2845345UNINA02010oam 22004574a 450 991028641720332120230621140742.0607-628-407-2968-12-0372-0(CKB)4100000006673874(OCoLC)1151439892(MdBmJHUP)muse85058(WaSeSS)IndRDA00125620(oapen)https://directory.doabooks.org/handle/20.500.12854/89513(oapen)doab89513(EXLCZ)99410000000667387419930222d1988 uy 0spaur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierTiempo cíclico y eras del mundo en la IndiaLuis González Reimann1. ed.El Colegio de México1988Mexico :El Colegio de Mexico,1988.©1988.1 online resource (216 p.) : ill. ;Includes bibliographical references and indexes.En este libro se investigan los orígenes de los ciclos cósmicos del hinduismo, desde sus antecedentes en los ciclos astronómicos védicos hasta su elaboración final en los primeros siglos de la era cristiana, pasando por las influencias recibidas del mundo mediterráneo. Se explican en detalle los diferentes tipos de ciclos, incluyendo sus complejidades numéricas, y se analizan temas tales como nuestra ubicación en el tiempo, los diversos tipos de destrucción del mundo, y la relación que existe entre los distintos ciclos y la aparición de los "avataras" o encarnaciones del Dios Supremo.TimeReligious aspectsHinduismElectronic books. TimeReligious aspectsHinduism.291.24González Reimann Luis712853MdBmJHUPMdBmJHUPBOOK9910286417203321Tiempo cíclico y eras del mundo en la India2431519UNINA