01141nam2-22003491i-450-99000031953040332120001010000031953FED01000031953(Aleph)000031953FED0100003195320001010d--------km-y0itay50------baitay-------001yyPRELIMINARY experiences for a powered lower limb prosthesis with myoelectric control.Alessandro Bertuzzi, Leo Tommaso,Maurizio Monteleone, Roberto Vitelli.RomaLa Goliardica197219 p., ill., 24 cmIn testa al front.: Universita' di Roma. Istituto di Automatica.0010000378542001Rapporti dell'Istituto di Automatica629Bertuzzi,AlessandroLeo,TommasoMonteleone,MaurizioVitelli,RobertoUniversità degli studi di Roma.Istituto di automaticaITUNINARICAUNIMARCBK99000031953040332104 020-19/1BCIDINCHDINCHUNINAING0103599nam 22007095 450 991048482090332120250610110358.09783030400866303040086710.1007/978-3-030-40086-6(CKB)4100000010770999(MiAaPQ)EBC6152161(DE-He213)978-3-030-40086-6(Perlego)3480390(MiAaPQ)EBC29092915(EXLCZ)99410000001077099920200330d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierCultural Controversies in the West German Public Sphere Aesthetic Fiction and the Creation of Social Identities /by Marcela Knapp1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (xi, 331 pages)9783030400859 3030400859 1. Introduction -- 2. Theoretical Considerations -- 3. Confirming a Secular World Order: Ingmar Bergman's The Silence -- 4. A Moving World: George Orwell's Nineteen Eighty-Four -- 5. The Creation Of the Social: Rolf Hochhuth's The Deputy -- 6. The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 7. Fiction Between Representation and Quotation: Rainer Werner Fassbinder's Garbage, the City and Death -- 8. Conclusions.This book develops a theory of aesthetic fiction's impact on social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between different aesthetic expressions. As it creates affective structures, narrative fiction enables the development and formation of political and cultural identities. This work is part of a field of research that deals with the aesthetics of the everyday and the idea of social aesthetics. It argues for a central role for the arts in the creation and formation of modern society. Social identities emerge in response to aesthetic-sensual patterns of perception. Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art. Dr. Marcela Knapp is a cultural sociologist. She lives and works in Berlin.EthnologyEuropeCultureCultureStudy and teachingEurope, CentralHistoryEuropean literatureEuropePolitics and governmentEuropean CultureCultural TheoryHistory of Germany and Central EuropeEuropean LiteratureEuropean PoliticsEthnologyCulture.CultureStudy and teaching.Europe, CentralHistory.European literature.EuropePolitics and government.European Culture.Cultural Theory.History of Germany and Central Europe.European Literature.European Politics.306.0943943Knapp Marcelaauthttp://id.loc.gov/vocabulary/relators/aut1225935MiAaPQMiAaPQMiAaPQBOOK9910484820903321Cultural Controversies in the West German Public Sphere2846327UNINA