01145nam--2200397---450-99000315304020331620080930105035.088-04-34930-1000315304USA01000315304(ALEPH)000315304USA0100031530420080930d1995----km-y0itay50------baitaI||||||||001yy<<Il>> passato di un'illusionel'idea comunista nel 20. secoloFrançois Fureta cura di Marina ValensiseMilanoA. Mondadori1995640 p.23 cmSaggi[Titolo originale] passe d'une illusion2001Saggi2001001-------2001ComunismoSec. 20.335.430904FURET,François379142VALENSISE,MarinaITsalbcISBD990003153040203316335.430904 FUR3407 DITESI (SEZ. 4 N. 200)BKDITESIDITESI1020080930USA011050Passato di un'illusione921065UNISA01367nam a2200361 i 450099100068013970753620020507172200.0950120s1993 us ||| | eng 0821815377b10742244-39ule_instLE01300617ExLDip.to Matematicaeng515.42AMS 28A75AMS 30C65AMS 42B20AMS 49Q15David, Guy350534Analysis of and on uniformly rectifiable sets /Guy David, Stephen SemmesProvidence, R. I. :American Mathematical Society,c1993xii, 356 p. :ill. ;26 cm.Mathematical surveys and monographs,0076-5376 ;38Includes bibliographical references (p. 345-347) and indexFunctions of complex variablesGeometric measure theorySingular integralsSemmes, Stephenauthorhttp://id.loc.gov/vocabulary/relators/aut60477.b1074224423-02-1728-06-02991000680139707536LE013 28A DAV11 (1993)12013000034584le013-E0.00-l- 00000.i1083365128-06-02Analysis of and on uniformly rectifiable sets1422596UNISALENTOle01301-01-95ma -engus 0104546nam 22006495 450 991048473700332120251010085409.09783319995762331999576610.1007/978-3-319-99576-2(CKB)4100000007335080(MiAaPQ)EBC5627283(DE-He213)978-3-319-99576-2(Perlego)3485780(EXLCZ)99410000000733508020181230d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierMedia Archaeology and Intermedial Performance Deep Time of the Theatre /edited by Nele Wynants1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (290 pages)Avant-Gardes in Performance,2946-31069783319995755 3319995758 1. Media-archaeological Approaches to Theatre and Performance: An Introduction; Nele Wynants -- 2. Mechanisms in the Mist: A Media Archaeological Excavation of the Mechanical Theater; Erkki Huhtamo -- 3. “Rendre réel aux yeux du public” – Stage Craft, Tricks, and the Féerie; Frank Kessler & Sabine Lenk -- 4. Vanishing Technology: Transparency of Media in Stage Magic; Katharina Rein -- 5. Deep Space or the Re-invention of Scenography: Jozef Wouters on Infini 1-15; Karel Vanhaesebrouck & Jozef Wouters -- 6. Perfumed Performances: The Reception of Olfactory Theatrical Devices from the Fin-de-siècle to the Present Day; Érika Wicky -- 7. Performing Astronomy: The Orrery as Model, Theatre and Experience; Kurt Vanhoutte -- 8. Capturing Bodies as Objects: Stereography and the Diorama in Kris Verdonck’s ISOS; Kristof van Baarle -- 9. Robots and Anthropomorphism in Science-Fiction Theatre: From Rebellion to Domesticity; Kara Reilly -- 10. Cinema’s Savoyards: Performativity and the Legacy of the Magic Lantern; Edwin Carels -- 11. The Art of Anamorphosis: Subverting Representational Conventions and Challenging the Observer; Rudi Knoops -- 12. Mediated Visions of Life: An Archaeology of Microscopic Theatre; Nele Wynants -- 13. The (Not So) Deep Time of Social Media Theater: An Afterword; Sarah Bay-Cheng.This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced ‘new’ media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need tobe preserved, the authors stress the return of the past in the present, but in a different, performative guise.Avant-Gardes in Performance,2946-3106TheaterHistoryPerforming artsTheaterStage managementActorsContemporary Theatre and PerformanceTheatre and Performance ArtsTechnology and StagecraftPerformers and PractitionersGlobal and International Theatre and PerformanceTheaterHistory.Performing arts.Theater.Stage management.Actors.Contemporary Theatre and Performance.Theatre and Performance Arts.Technology and Stagecraft.Performers and Practitioners.Global and International Theatre and Performance.792.01Wynants Neleedthttp://id.loc.gov/vocabulary/relators/edtBOOK9910484737003321Media Archaeology and Intermedial Performance2845347UNINA