01078nam0-22003131i-450-99001009748040332120160907152119.0MIRE dada tee; DaEc (3) 1767 (A)feiIT-NAStoriadelDiritto001009748FED01001009748(Aleph)001009748FED0100100974820160907d1767----km-y0itay50------baitalata-------------------bb0-----Poesie di Carlo Pecchia serie, giocose, italiane e latine[In Napolipresso Nicola Gervasi al Gigante]1767[6], 256, 39, [1] p.8°Luogo di pubblicazione ed editore ricavati da SBN webSegn.: a⁴ A⁸ B⁸(-B1) C-Q⁸ ²a⁸ b⁸ c⁴IT-NAStoriadelDiritto: KG 1798Nota di possesso a c. a1: de' libri del dottore Francesco Nicola SabiniItalia.NapoliPecchia,CarloITUNINARICAUNIMARCAQ990010097480403321KG 1798SDISDIUNINA02729oam 2200445 450 991048453560332120230823001149.03-030-55628-X10.1007/978-3-030-55628-0(CKB)4100000011515537(MiAaPQ)EBC6381039(DE-He213)978-3-030-55628-0(EXLCZ)99410000001151553720210414d2020 uy 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierDigital theatre the making and meaning of live mediated performance, US & UK 1990-2020 /Nadja Masura1st ed. 2020.Cham, Switzerland :Palgrave Macmillan,[2020]©20201 online resource (XVI, 295 p. 21 illus., 19 illus. in color.) Palgrave Studies in Performance and Technology3-030-55627-1 1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater’s Place in an Increasingly Performative Digital World.Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. .Palgrave Studies in Performance and TechnologyTechnology and the artsTechnology and the arts.700.105Masura Nadja839942MiAaPQMiAaPQUtOrBLWBOOK9910484535603321Digital theatre1875418UNINA