05024nam 22006855 450 991048427800332120200930190947.03-030-18099-910.1007/978-3-030-18099-7(CKB)4100000009845068(MiAaPQ)EBC5983896(DE-He213)978-3-030-18099-7(EXLCZ)99410000000984506820191121d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierOn Popular Music and Its Unruly Entanglements /edited by Nick Braae, Kai Arne Hansen1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (xiii, 269 pages) illustrationsPop Music, Culture and Identity,2634-6613Includes index.3-030-18098-0 Introduction; Nick Braae and Kai Arne Hansen -- Section I: Broad Strokes -- 1. Scratching the Surface: Texts and Textures in Music Studies—or, Musicology without Music; Kyle Devine -- 2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden -- 3. Kristeva and Popular Music; Nathan Wiseman-Trowse -- 4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Bláithín Duggan -- 5. It’s a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen -- Section II: Second Takes -- 6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Välimäki -- 7. Linear Temporality in Popular Song; Nick Braae -- 8. “To Prepare a Face to Meet the Faces that you Meet”: The Instrumental Retrowave Persona; Andrei Sora -- 9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog -- Section III: Entanglements -- 10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood -- 11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brøvig-Hanssen -- 12. The Empowerment of the Listener in Kendrick Lamar’s “Backseat Freestyle”; Steven Gamble -- 13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister -- 14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew Bannister -- Afterword; Allan F. Moore.On Popular Music and Its Unruly Entanglements comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music’s relationship to technological developments, various media and material(itie)s, and personal and social identity. The collection presents a range of different methodologies and theoretical positions, which results in an eclecticism that aptly demonstrates the breadth of contemporary popular music research. The chapters are divided into three major sections that address: wider theoretical and analytical issues (“Broad Strokes”), familiar repertoire or concepts from a new perspective (“Second Takes”), and the meanings to arise from music’s connections with other media forms (“Audiovisual Entanglements”).Pop Music, Culture and Identity,2634-6613MusicPopular CultureCommunicationCulture—Study and teachingMusic—Philosophy and aestheticsMusichttps://scigraph.springernature.com/ontologies/product-market-codes/417000Popular Culture https://scigraph.springernature.com/ontologies/product-market-codes/411170Media and Communicationhttps://scigraph.springernature.com/ontologies/product-market-codes/412010Cultural Theoryhttps://scigraph.springernature.com/ontologies/product-market-codes/411130Philosophy of Musichttps://scigraph.springernature.com/ontologies/product-market-codes/E11010Music.Popular Culture.Communication.Culture—Study and teaching.Music—Philosophy and aesthetics.Music.Popular Culture .Media and Communication.Cultural Theory.Philosophy of Music.781.64781.63Braae Nickedthttp://id.loc.gov/vocabulary/relators/edtHansen Kai Arneedthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK9910484278003321On Popular Music and Its Unruly Entanglements2845011UNINA