00839nam a2200253 i 450099100258316970753620020508202713.0010131s1998 us ||| | eng 0872204049b11031281-39ule_instPARLA165429ExLDip.to Filosofiaita194Grene, Marjorie 45118Descartes /Marjorie GreneIndianapolis :Hachette,1998x, 225 p. ;22 cm.Descartes, René, 1596-1650.b1103128102-04-1428-06-02991002583169707536LE005 FONDO CENTRO DESCARTES 2012005000093623le005-E0.00-l- 00000.i1115248528-06-02Descartes862675UNISALENTOle00501-01-01ma -engus 0104230nam 22007215 450 991048418280332120200919200730.03-658-01921-210.1007/978-3-658-01921-1(CKB)3710000000083695(EBL)1636677(OCoLC)871224020(SSID)ssj0001158040(PQKBManifestationID)11616173(PQKBTitleCode)TC0001158040(PQKBWorkID)11209588(PQKB)11268338(MiAaPQ)EBC1636677(DE-He213)978-3-658-01921-1(PPN)176119582(EXLCZ)99371000000008369520140103d2014 u| 0engur|n|---|||||txtccrExporting Culture Which role for Europe in a Global World? /edited by Raphaela Henze, Gernot Wolfram1st ed. 2014.Wiesbaden :Springer Fachmedien Wiesbaden :Imprint: Springer VS,2014.1 online resource (158 p.)Description based upon print version of record.3-658-01920-4 Includes bibliographical references at the end of each chapters.European Culture and Identity -- Globalization -- Cultural transfer -- Soft Diplomacy.Is European culture visible enough in the globalized world? Why is culture from this continent often perceived as ‘old-fashioned’ or even worse as ‘out-dated’? Is the export of national cultural products and services – in most European countries subsidized by the taxpayer – no longer relevant, or more relevant than ever before? Is it a huge waste of money, time, and effort or an attempt to create another form of globalization? Culture – in its broadest sense – is often viewed and accepted in ways that differ completely from those of other internationally traded goods. This might be one of the reasons why so many institutions, foundations and cooperations invest time, power, and money in cultural projects. Is this an exaggerated approach or an intelligent recognition of the genuine values of the 21st century – creativity and cultural sensitivity? These and several other questions concerning the export of culture are addressed by authors from different countries in order to initiate a debate about the role European cultural products and services are able to play globally.   Content European Culture and Identity.- Globalization.- Cultural transfer.- Soft Diplomacy   Target groups Practitioners in cultural organizations.- Researchers and Students in arts and cultural management.- Politicians with a focus on European Culture.- All those interested in European Culture and its future   The editors Raphaela Henze is professor of Cultural Management at Heilbronn University. Gernot Wolfram teaches as professor of Arts Management at the MHMK University of Berlin. He is an expert for cultural affairs within the Team Europe of the European Commission in Germany.ManagementCultureArtsSociologyCultural Managementhttps://scigraph.springernature.com/ontologies/product-market-codes/X22050Sociology of Culturehttps://scigraph.springernature.com/ontologies/product-market-codes/X22100Artshttps://scigraph.springernature.com/ontologies/product-market-codes/416000Sociology, generalhttps://scigraph.springernature.com/ontologies/product-market-codes/X22000EuropeCultural policyManagement.Culture.Arts.Sociology.Cultural Management.Sociology of Culture.Arts.Sociology, general.327.44338.4770094300sdnbLB 52800rvkHenze Raphaelaedthttp://id.loc.gov/vocabulary/relators/edtWolfram Gernotedthttp://id.loc.gov/vocabulary/relators/edtBOOK9910484182803321Exporting Culture2841954UNINA