01253nam0-22003731i-450-99000382196040332120131119104820.088-85669-81-6000382196FED01000382196(Aleph)000382196FED0100038219620030910d1998----km-y0itay50------baitaITaf------101yyScrivere di santiatti del 2. Convegno di studio dell'Associazione italiana per lo studio della santità, dei culti e dell'agiografiaNapoli, 22-25 ottobre 1997a cura di Gennaro LuongoRomaViella libreria1998535 p., 4 c. di tav.ill.21 cmContiene bibliografia e indice dei nomiSantiAgiografiaCongressi306.691 213270.0922Luongo,GennaroAssociazione italiana per lo studio della santità, dei culti e dell'agiografia326055ITUNINARICAUNIMARCBK990003821960403321306.691213 LUO 1208fBFS270.09 CONV NAPOLI 1997Bibl. 28302FLFBCBFSFLFBCScrivere di santi81286UNINA05578nam 22006735 450 991048418110332120240416150721.09789401794961940179496010.1007/978-94-017-9496-1(CKB)3710000000311908(EBL)1966709(SSID)ssj0001408321(PQKBManifestationID)11908137(PQKBTitleCode)TC0001408321(PQKBWorkID)11346971(PQKB)11103708(DE-He213)978-94-017-9496-1(MiAaPQ)EBC1966709(PPN)183149009(EXLCZ)99371000000031190820141205d2015 u| 0engur|n|---|||||txtccrNatural History Dioramas History, Construction and Educational Role /edited by Sue Dale Tunnicliffe, Annette Scheersoi1st ed. 2015.Dordrecht :Springer Netherlands :Imprint: Springer,2015.1 online resource (288 p.)Description based upon print version of record.9789401794954 9401794952 Includes bibliographical references at the end of each chapters.Introduction, Sue Dale Tunnicliffe, London (UK) & Annette Scheersoi, Bonn (D) -- I. History and Features of Natural History Dioramas -- I.1 History of Dioramas, Claudia Kamcke, Braunschweig, & Rainer Hutterer, Bonn (D) -- I.2 Dioramas as historical documents, Rainer Hutterer, Bonn (D) -- I.3 A window on the world – wildlife dioramas, Pat Morris, Ascot (US) -- I.4 Dioramas as constructs of reality: Art, photography, and the discursive space, Geraldine Howie (UK) -- I.5 James Perry Wilson: Shifting paradigms of natural history diorama painting, Michael Anderson, Yale (US) -- II. Resurrecting and Modern Dioramas -- II.1 Dioramas in Natural History Museum – Tools for nature conservation, John Borg, Mdina (MT) -- II.2 Using technology to deepen and extend visitor’s interaction with dioramas, Mark Loveland, Barbara Buckley & Edys Quellmalz, WestEd (US) -- II.3 Displaying Ecological Landscapes by Dioramas - an example provided by Zhejiang Museum of Natural History, Ximin Kang, Zhejiang (CHN) -- II.4 Conservative restoration and reconstruction of historical Natural History Dioramas, Mareike Munsch, Hartmut Schmiese, Aleksandra Angelov, Gunnar Riedel & Jörn Köhler, Darmstadt (D) -- III. Learning at dioramas -- III.1 Dioramas as important tools in biological education, Sue Dale Tunnicliffe & Annette Scheersoi -- III.2 Catching the visitor’s interest, Annette Scheersoi -- III. 3 Naming and narratives at dioramas, Sue Dale Tunnicliffe -- III.4 The evolution of the narrative at natural history dioramas, Alix Cotumaggio, New York (US) -- III.5 Imaginary places: Museum visitor perceptions of habitat dioramas, Phaedra Livingstone, Oregon (US) -- III.6 Habitat dioramas and sense of place: Factors linked tovisitors’ feelings about the natural places portrayed in dioramas, Cecilia Garibay & Eric D. Gyllenhaal, Chicago (US) -- III.7 The Human connection: Enactors and the facilitated diorama experience, Kathleen Tinworth, Denver (US) -- III.8 Storytelling and performance in diorama galleries, Keith Dunmall, Birchington on Sea (UK) -- III.9 The diorama as a means for biodiversity education, Martha Marandino, Sao Paolo (Brazil), Marianne Achiam, Copenhagen (DK) & Adriano Oliveira, Sao Paolo (Brazil) -- III.10 Interpreting through drawings, Edward Mifsud, Malta (MT) -- Conclusion, Michael Reiss, London (UK).This book celebrates dioramas as a unique and essential learning tool for biological education for all. It provides information about their historical development, the technique of taxidermy and diorama construction from the past and the modern developments as well as aspects of interpretation and learning processes. The fresh and unique compilation brings together experts from a number of different countries, from the west coast of the USA, across Europe to China. It describes the journey of dioramas from their inception through development to visions of their future. A complementary journey is that of visitors and their individual sense making and construction of their understanding from their own starting points, often interacting with others (e.g. teachers, peers, parents) as well as media (e.g. labels). Dioramas have been, hitherto, a rather neglected area of museum exhibits but a renaissance is beginning for them and their educational importance in contributing to people’s understanding of the natural world. This volume shows how dioramas can reach a wide audience and increase access to biological knowledge.ScienceStudy and teachingBiologyPhilosophyScienceHistoryScience EducationPhilosophy of BiologyHistory of ScienceScienceStudy and teaching.BiologyPhilosophy.ScienceHistory.Science Education.Philosophy of Biology.History of Science.370507.1509570.1Tunnicliffe Sue Daleedthttp://id.loc.gov/vocabulary/relators/edtScheersoi Annetteedthttp://id.loc.gov/vocabulary/relators/edtBOOK9910484181103321Natural History Dioramas2851974UNINA