03244nam 22005055 450 991048390180332120200705225712.03-030-10877-510.1007/978-3-030-10877-9(CKB)4100000007938071(MiAaPQ)EBC5754892(DE-He213)978-3-030-10877-9(EXLCZ)99410000000793807120190411d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierCinematic Intermedialities and Contemporary Holocaust Memory[electronic resource] /by Victoria Grace Walden1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (221 pages)3-030-10876-7 Includes bibliographical references and index.1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .Motion pictures—European influencesWorld War, 1939-1945HistoriographyEuropean Cinema and TVhttps://scigraph.springernature.com/ontologies/product-market-codes/413060History of World War II and the Holocausthttps://scigraph.springernature.com/ontologies/product-market-codes/717110Memory Studieshttps://scigraph.springernature.com/ontologies/product-market-codes/711010Motion pictures—European influences.World War, 1939-1945.Historiography.European Cinema and TV.History of World War II and the Holocaust.Memory Studies.791.43658Walden Victoria Graceauthttp://id.loc.gov/vocabulary/relators/aut1230054BOOK9910483901803321Cinematic Intermedialities and Contemporary Holocaust Memory2855276UNINA