01922oam 2200577 450 991070675380332120180223071117.0(CKB)5470000002457919(OCoLC)1019428738(EXLCZ)99547000000245791920180112e19891964 ua 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierBuying aircraft matériel procurement for the Army Air Forces /by Irving Brinton Holley, jrWashington, D.C. :Center of Military History, United States Army,1989.1 online resource (xviii, 643 pages) illustrations, portraitsUnited States Army in World War II. Special studies ;7CMH pub ;11-2"First printed 1964"G.P.O. sales statement incorrect in publication.Includes bibliographical references and index.Buying aircraft World War, 1939-1945Equipment and suppliesDefense contractsUnited StatesAir powerAir powerfastArmed ForcesProcurementfastDefense contractsfastEquipment and suppliesfastUnited StatesfastWorld War, 1939-1945Equipment and supplies.Defense contractsAir power.Air power.Armed ForcesProcurement.Defense contracts.Equipment and supplies.Holley I. B.Jr.(Irving Brinton),1919-2013,1419342Center of Military History,GPOGPOGPOOCLCFGPOBOOK9910706753803321Buying aircraft3533481UNINA03091nam 2200601zu 450 991013628610332120240424225713.0(CKB)3710000000586891(SSID)ssj0001680376(PQKBManifestationID)16496383(PQKBTitleCode)TC0001680376(PQKBWorkID)15028480(PQKB)10793225(WaSeSS)IndRDA00056433(oapen)https://directory.doabooks.org/handle/20.500.12854/54085(EXLCZ)99371000000058689120160829d2014 uy engur|||||||||||txtccrMultisensory integration in action controlFrontiers Media SA2014[Place of publication not identified]Frontiers Media SA20141 online resource (142 pages)Frontiers Research Topics,1664-8714Bibliographic Level Mode of Issuance: Monograph2-88919-312-8 Includes bibliographical references.The integration of multisensory information is an essential mechanism in perception and in controlling actions. Research in multisensory integration is concerned with how the information from the different sensory modalities, such as the senses of vision, hearing, smell, taste, touch, and proprioception, are integrated to a coherent representation of objects. Multisensory integration is central for action control. For instance, when you grasp for a rubber duck, you can see its size and hear the sound it produces. Moreover, identical physical properties of an object can be provided by different senses. You can both see and feel the size of the rubber duck. Even when you grasp for the rubber duck with a tool (e.g. with tongs), the information from the hand, from the effect points of the tool and from the eyes are integrated in a manner to act successfully. Over the recent decade a surge of interest in multisensory integration and action control has been witnessed, especially in connection with the idea that multiple sensory sources are integrated in an optimized way. For this perspective to mature, it will be helpful to delve deeper into the information processing mechanisms and their neural correlates, asking about the range and constraints of this mechanisms, about its localization and involved networks.PsychologyHILCCSocial SciencesHILCCrecalibrationhapticHuman Information ProcessingVisionPerceptionreference frameAcousticsTool UsePsychologySocial Sciences152.1Jochen Musselerauth1370014Müsseler JochenSutter ChristineDrewing KnutPQKBBOOK9910136286103321Multisensory integration in action control3397277UNINA05207nam 22005415 450 991048357030332120200930192723.03-030-40798-510.1007/978-3-030-40798-8(CKB)4100000011372927(MiAaPQ)EBC6280389(DE-He213)978-3-030-40798-8(EXLCZ)99410000001137292720200804d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierDanish Television Drama Global Lessons from a Small Nation /edited by Anne Marit Waade, Eva Novrup Redvall, Pia Majbritt Jensen1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (272 pages)Palgrave European Film and Media Studies,2634-615X3-030-40797-7 Introduction -- 1. Anne Marit Waade, Eva Novrup Redvall and Pia Majbritt Jensen: Lessons Learned from Danish Television Drama: From Screen Ideas to Value Creation in Production, Distribution and Reception -- Part 1: Global/Public Values in Danish Television Drama -- 2. Anne M. Waade: The Value Chain of Danish Television Drama Series; transnational and Cross-sectorial Perspectives -- 3. Gunhild Agger: The Golden Age: Danish Public Service Drama Series 1995–2015 -- 4. Janet McCabe: Why the World Fell for Borgen (2010-2013): Debating Democracy and the Role of Public Service Television as a (Trans)National Public Sphere in the Age of Globalisation -- 5. Sue Turnbull and Marion McCutcheon: Valuing the Global Impact of Danish TV drama series: An Australian case study -- Part 2: Small Nation Perspectives: Producing Danish Television Drama -- 6. Jakob Isak Nielsen: Stylish drama series – overt style in Danish drama series? -- 7. Kim Toft Hansen: Glocal Perspectives on Danish Television Drama -- 8. Eva Novrup Redvall: How do you educate the television writers and producers of tomorrow? A case study of one small nation approach to training television drama talent -- 9. Ruth McElroy: Bilingual crime drama as affinitive transnationalism or linguistic deracination? What Wales learned from Danish television drama. Vilde Schanke Sundet: Drama as Flagship Productions: Small Nation Television and Digital Distribution -- Part 3: Global Lessons: Distribution and Reception of Danish Television Drama -- 10. Pia M.Jensen & Ushma C. Jacobsen: Crowding proximities theory: Considering other proximities on the transnational travel of Danish television drama -- 11. Susanne Eichner & Andrea Esser: Distribution and consumption of Danish TV drama series in Germany and the UK -- 12. Matt Hills: Emotional Realism, Fandom and Saga’s End: Bron/Broen’s User-led and Broadcaster-led Transnationalisms -- 13. Lynge S. Gemzøe: Remaking Danish Television Drama in the US -- 14. Pia Majbritt Jensen: Whose success, really? Critical perspectives on whom, what and where stand to benefit from the success of Danish TV drama.This book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’.Palgrave European Film and Media Studies,2634-615XMotion pictures and televisionMotion pictures—European influencesScreen Studieshttps://scigraph.springernature.com/ontologies/product-market-codes/413000European Cinema and TVhttps://scigraph.springernature.com/ontologies/product-market-codes/413060Motion pictures and television.Motion pictures—European influences.Screen Studies.European Cinema and TV.791.456301Waade Anne Maritedthttp://id.loc.gov/vocabulary/relators/edtRedvall Eva Novrupedthttp://id.loc.gov/vocabulary/relators/edtMajbritt Jensen Piaedthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK9910483570303321Danish Television Drama2147592UNINA