04627nam 2200409 450 991048356920332120230630002053.03-030-67155-0(CKB)4100000011881147(MiAaPQ)EBC6539059(Au-PeEL)EBL6539059(OCoLC)1245926604(EXLCZ)99410000001188114720211025d2021 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierHow music works a physical culture theory /Rolf BaderCham, Switzerland :Springer,[2021]©20211 online resource (305 pages)3-030-67154-2 Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments.Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page.MusicAcoustics and physicsMusicAcoustics and physics.781.1Bader Rolf1969-965634MiAaPQMiAaPQMiAaPQBOOK9910483569203321How music works2190874UNINA