01675nam0 2200277 450 00001163320090303103435.020080521d1842----km-y0itay50------baitaITy-------001yyPiante tintorie del Regno di NapoliMemoria presentata al R. Istituto d'incoraggiamento di Napoli nell'ordinaria adunanza de' 14 Gennaio 1836, e per ordine data alle stampedistribuite in tavole sinottiche Francesco BrigantiNapolidalla Tipografia del Tasso1842XVI, 73 p.28 cmLegatura in tela (29x23x1 cm); dorso con A. e tit. impressi in oro; contiene la brossura editoriale; foxingUNIPARTHENOPESulla brossura editoriale antiche segnature mss. in parte cancellate; sull'occhietto antiche segnature mss.: 12-A [n.i.]; 6 l 6 [n.i.]; Class VII 1012 Ingress 2701 del Registro inventario della Regia Marina Biblioteca dipartimentale di Napoli; ivi, inoltre, 10L-I-29 [n.i.]; 645, 155, l 6 [n.i.]; timbri A e B della Reale Biblioteca di MarinaUNIPARTHENOPEDigitalizzazione della copia, disponibile presso la Harvard University, a cura di Google:http://books.google.it/books?id=qpQUAAAAYAAJ&pg=PR9&dq=Piante+tintorie+del+Regno+di+Napoli&ei=EzE0SIHcOoy6ygSFzaDMDw#PPR3,M1ItaliaNapoli58021PianteBriganti,Francesco71503Due Sicilie : Ministero della guerra e della marina390ITUNIPARTHENOPE20080521RICAUNIMARC000011633BORB-G-642701FB2008Piante tintorie del Regno di Napoli372864UNIPARTHENOPE03779nam 22008175 450 991048337380332120251116225457.09783030415013303041501510.1007/978-3-030-41501-3(OCoLC)1137814864(MiAaPQ)EBC6152176(CKB)4100000010770905(DE-He213)978-3-030-41501-3(Perlego)3480296(EXLCZ)99410000001077090520200330d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierContemporary African Dance Theatre Phenomenology, Whiteness, and the Gaze /by Sabine Sörgel1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (ix, 174 pages) illustrationsNew World Choreographies,2730-92749783030415006 3030415007 Includes bibliographical references and index.Includes bibliographical references and index.1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze.This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics. .New World Choreographies,2730-9274DancePerforming artsTheaterTheaterHistoryActorsEthnologyAfricaCultureDanceTheatre and Performance ArtsContemporary Theatre and PerformancePerformers and PractitionersApplied TheatreAfrican CultureDance.Performing arts.Theater.TheaterHistory.Actors.EthnologyCulture.Dance.Theatre and Performance Arts.Contemporary Theatre and Performance.Performers and Practitioners.Applied Theatre.African Culture.305.8301Sörgel Sabineauthttp://id.loc.gov/vocabulary/relators/aut861778ProQuest (Firm)MiAaPQMiAaPQMiAaPQBOOK9910483373803321Contemporary African Dance Theatre2592333UNINA