03635nam 22006135 450 991048332940332120240627174918.09783030629342303062934110.1007/978-3-030-62934-2(CKB)4100000011902458(MiAaPQ)EBC6566947(Au-PeEL)EBL6566947(OCoLC)1249472289(DE-He213)978-3-030-62934-2(EXLCZ)99410000001190245820210421d2021 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierAdaptation and the New Art Film Remaking the Classics in the Twilight of Cinema /by William H. Mooney1st ed. 2021.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2021.1 online resource (283 pages)Palgrave Studies in Adaptation and Visual Culture,2634-63039783030629335 3030629333 Introduction -- Part 1: Rainer Werner Fassbinder and Douglas Sirk -- Chapter 1: The Recreation of All that Heaven Allows as Angst Essen Seele Auf (Fear Eats the Soul, 1974) -- Part 2: Derivations and Procedural Challenges -- Chapter 2. The Palimpsestuous Ghost of Rome Open City (1945) in The Lives of Others (2006) -- Chapter 3. Clouds of Sils Maria and All about Eve: Adapting a Classic Paradigm -- Chapter 4. Leos Carax: Les Amants du Pont-Neuf and City Lights -- Part 3: Nostalgic Adventures and Aesthetic Complications -- Chapter 5. Chantal Akerman in the Labyrinth of Desire: La Captive, Marcel Proust, and Vertigo -- Chapter 6. The Coen Brothers' Retrospective Foreboding -- Chapter 7. Baz Luhrmann's Outsized Ambition: The Great Gatsby and Citizen Kane -- Chapter 8. Conclusion.Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane(1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, infilm art and in society.Palgrave Studies in Adaptation and Visual Culture,2634-6303Adaptation (Literary, artistic, etc.)Motion pictures, AmericanMotion picturesAdaptation StudiesAmerican Film and TVGlobal Film and TVAdaptation (Literary, artistic, etc.)Motion pictures, American.Motion pictures.Adaptation Studies.American Film and TV.Global Film and TV.791.436791.436Mooney William H.1948-853248MiAaPQMiAaPQMiAaPQBOOK9910483329403321Adaptation and the New Art Film4332228UNINA01166nam2 2200325 i 450 CFI010005620251003044121.08802041520IT89-7713 19890824d1988 ||||0itac50 baitaitz01i xxxe z01nz01ncRDAcarrierˆ3: Il ‰secolo ventesimoa cura di Enrico Bellone ... [et al.]TorinoUTET©19882 v. (XI, IX, 1317 p. compless.), [6] c. di tav.ill.25 cm.001CFI01000102001 Storia della scienza moderna e contemporaneadiretta da Paolo Rossi3001RAV00347832000 Tomo 3.11001RAV00347852000 Tomo 3.22509SCIENZE NATURALI E MATEMATICA. STORIA, GEOGRAFIA, PERSONE21509.03SCIENZE PURE. ETA MODERNA, 1500-19Bellone, EnricoCFIV063282ITIT-00000019890824IT-BN0095 IT-NA0079 IT-NA0261 CFI0100056 BN FTSecolo ventesimo103412UNISANNIO