01118nam 2200253la 450 991048218640332120221108072420.0(UK-CbPIL)2090314113(CKB)5500000000089308(EXLCZ)99550000000008930820210618d1655 uy |mulurcn||||a|bb|Al-♭ahd waʹš-šurūṯ allati šaraṭahā muḥammad [...] li-ahl al-milla an-naṣrāniyya sive Testamentum, inter Muhamedem, et christianæ religionis populos initum. Edited by J.G. Nisselius[electronic resource]Leiden Johannes Elzevir1655Online resource (4°)Reproduction of original in Koninklijke Bibliotheek, Nationale bibliotheek van Nederland.Anon815482Uk-CbPILUk-CbPILBOOK9910482186403321Al-♭ahd waʹš-šurūṯ allati šaraṭahā muḥammad li-ahl al-milla an-naṣrāniyya sive Testamentum, inter Muhamedem, et christianæ religionis populos initum. Edited by J.G. Nisselius2090830UNINA02917nam 22006733u 450 991077775450332120230120035201.01-4744-6776-80-7486-5361-91-282-08793-297866120879360-7486-3031-710.1515/9781474467766(CKB)1000000000748633(EBL)434301(OCoLC)367620089(SSID)ssj0000672917(PQKBManifestationID)11460835(PQKBTitleCode)TC0000672917(PQKBWorkID)10643695(PQKB)10117359(StDuBDS)EDZ0000055499(Au-PeEL)EBL4952188(CaONFJC)MIL208793(DE-B1597)614820(DE-B1597)9781474467766(MiAaPQ)EBC434301(MiAaPQ)EBC4952188(OCoLC)1302164465(EXLCZ)99100000000074863320130418d2009|||| u|| |engurcnu||||||||txtccrFilm Noir and the Cinema of Paranoia[electronic resource]Edinburgh Edinburgh University Pressc20091 online resource (209 p.)Description based upon print version of record.0-7486-2399-X Includes bibliographical references and index.Cover; Copyright; Contents; Acknowledgments; Introduction; CHAPTER 1 The Dream of Return; CHAPTER 2 The Postwar Bubble; CHAPTER 3 1950's Death Trip; CHAPTER 4 The Flip Side of the 1960's; CHAPTER 5 The Failure of Culture; CHAPTER 6 Living in Fear; Appendix: A Gallery of Classic Noir 'Heavies'; Works Cited and Consulted; IndexFilm Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950's, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the PaciFilm noir -- United States -- History and criticismFilm noir -- United StatesFilm noirFilm noir -- United States -- History and criticism.Film noir -- United States.Film noir.791.43655Dixon Wheeler W.1950-1006109AU-PeELAU-PeELAU-PeELBOOK9910777754503321Film noir and the cinema of paranoia2376239UNINA04322nam 2201045Ia 450 991078528410332120230725024850.01-282-66082-997866126608250-520-94740-110.1525/9780520947405(CKB)2670000000043832(EBL)566753(OCoLC)659591219(SSID)ssj0000399785(PQKBManifestationID)11278664(PQKBTitleCode)TC0000399785(PQKBWorkID)10393520(PQKB)11280937(StDuBDS)EDZ0000084570(MiAaPQ)EBC566753(OCoLC)777474733(MdBmJHUP)muse31096(DE-B1597)519446(DE-B1597)9780520947405(Au-PeEL)EBL566753(CaPaEBR)ebr10402712(CaONFJC)MIL266082(EXLCZ)99267000000004383220100212d2010 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierDifferent drummers[electronic resource] rhythm and race in the Americas /Martin MunroBerkeley University of California Pressc20101 online resourceMusic of the African diaspora ;140-520-26282-4 0-520-26283-2 Includes bibliographical references and index.Frontmatter --Contents --Acknowledgments --Introduction. Slaves to the Rhythm --1. Beating Back Darkness --2. Rhythm, Creolization, and Conflict in Trinidad --3. Rhythm, Music, and Literature in the French Caribbean --4. James Brown, Rhythm, and Black Power --Conclusion. Listening to New World History --Notes --References --IndexLong a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide-ranging examination of diverse black cultures across the New World. Martin Munro's groundbreaking work traces the central-and contested-role of music in shaping identities, politics, social history, and artistic expression. Starting with enslaved African musicians, Munro takes us to Haiti, Trinidad, the French Caribbean, and to the civil rights era in the United States. Along the way, he highlights such figures as Toussaint Louverture, Jacques Roumain, Jean Price-Mars, The Mighty Sparrow, Aimé Césaire, Edouard Glissant, Joseph Zobel, Daniel Maximin, James Brown, and Amiri Baraka. Bringing to light new connections among black cultures, Munro shows how rhythm has been both a persistent marker of race as well as a dynamic force for change at virtually every major turning point in black New World history.Music of the African diaspora ;14.Black peopleCaribbean AreaMusicHistory and criticismAfrican AmericansMusicHistory and criticismafrican americans.african diaspora.african musicians.americas.artistic expression.black cultures.civil rights era.diversity.drum music.drummers.enslaved africans.french caribbean.haiti.historical.jacques roumain.james brown.jean price mars.music and culture.music and identity.music critics.music historians.music politics.new world.nonfiction.race issues.rhythm.role of music.shaping identities.social history.toussaint louverture.trinidad.united states.Black peopleMusicHistory and criticism.African AmericansMusicHistory and criticism.780.89/960729Munro Martin1098945MiAaPQMiAaPQMiAaPQBOOK9910785284103321Different drummers3740521UNINA