04808nam 22007215 450 991048104820332120210716234415.00-8135-7083-210.36019/9780813570839(CKB)3710000000828980(PQKBManifestationID)16222683(PQKBWorkID)14837635(PQKB)21535229(MiAaPQ)EBC4647677(OCoLC)930364369(MdBmJHUP)muse55801(DE-B1597)526204(DE-B1597)9780813570839(EXLCZ)99371000000082898020190904d2016 fg 0engurcnu||||||||txtccrEditing and Special/Visual Effects /Charlie Keil, Kristen WhisselNew Brunswick, NJ :Rutgers University Press,[2016]©20161 online resource (278 pages) illustrationsBehind the Silver Screen SeriesBibliographic Level Mode of Issuance: Monograph0-8135-7081-6 Includes bibliographical references and index.Front matter --Contents --Introduction /Whissel, Kristen / Keil, Charlie --1. The Silent Screen, 1895-1927: Editing /Higgins, Scott --2. The Silent Screen, 1895-1927: Special/Visual Effects /North, Dan --3. Classical Hollywood, 1928-1946: Editing /Monticone, Paul --4. Classical Hollywood, 1928-1946: Special/Visual Effects /Rogers, Ariel --5. Postwar Hollywood, 1947-1967: Editing /Polan, Dana --6. Postwar Hollywood, 1947-1967: Special/Visual Effects /Turnock, Julie --7. The Auteur Renaissance, 1968-1980: Editing /Wright, Benjamin --8. The Auteur Renaissance, 1968-1980: Special/Visual Effects /Turnock, Julie --9. The New Hollywood, 1981-1999: Editing /Overpeck, Deron --10. The New Hollywood, 1981-1999: Special/Visual Effects /Purse, Lisa --11. The Modern Entertainment Marketplace, 2000-Present: Editing /Dhir, Meraj --12. The Modern Entertainment Marketplace, 2000-Present: Special/Visual Effects /Allison, Tanine --Academy Awards For Editing --Academy Awards For Special/Visual Effects --Notes --Glossary --Selected Bibliography --Notes On Contributors --IndexMost moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the "trick films" of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood's rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.Behind the silver screen (Series) ;6.CinematographySpecial effectsMotion picturesEditingElectronic books.CinematographySpecial effects.Motion picturesEditing.777/.55Allison Tanine1031533Dhir Meraj1031534Higgins Scott1031535Keil Charlie778202Monticone Paul1031536North Dan1031537Overpeck Deron1031538Polan Dana1031539Purse Lisa1031540Rogers Ariel1031541Turnock Julie1031542Whissel Kristen1031543Wright Benjamin328282Keil CharlieWhissel KristenDE-B1597DE-B1597BOOK9910481048203321Editing and Special2448938UNINA