04213nam 22008535 450 991048102980332120210826022112.01-64469-286-410.1515/9781644692868(CKB)4100000010327563(MiAaPQ)EBC6109893(DE-B1597)544475(DE-B1597)9781644692868(OCoLC)1128063772(EXLCZ)99410000001032756320200406h20202020 fg 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierVladimir Sorokin's Discourses A Companion /Dirk UffelmannBoston, MA :Academic Studies Press,[2020]©20201 online resource (ix, 225 pages)Companions to Russian Literature1-64469-284-8 Front matter --Table of Contents --Acknowledgments --A Note on Transliteration, Translation, and Referencing --Disclaimer --1. Introduction: The Late Soviet Union and Moscow's Artistic Underground --2. The Queue and Collective Speech --3. The Norm and Socialist Realism --4. Marina's Thirtieth Love and Dissident Narratives --5. A Novel and Classical Russian Literature --6. A Month in Dachau and Entangled Totalitarianisms --7. Sorokin's New Media Strategies and Civic Position in Post-Soviet Russia --8. Blue Lard and Pulp Fiction --9. Ice and Esoteric Fanaticism-a New Sorokin? --10. Day of the Oprichnik and Political (Anti-)Utopias --11. The Blizzard and Self-References of a Meta-Classic --12. Manaraga and Reactionary Anti-Globalism --13. Discontinuity in Continuity: Prospects --Bibliography --IndexVladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses.Companions to Russian literature.Russian prose literature20th centuryHistory and criticismRussian prose literature21st centuryHistory and criticismElectronic books.A Month in Dachau.A Novel.Blue Lard.Day of the Oprichnik.Ice.Manaraga.Marina's Thirtieth Love.Moscow art scene.Putin.Russian literature.Socialist Realism.The Blizzard.The Norm.The Queue.book burning.censorship.contemporary.dissidence.dystopia.modern.neo-imperialism.neo-nationalism.political commentary.post-Soviet.postmodernism.pulp fiction.sex.taboos.totalitarianism.violence.vulgar language.Russian prose literatureHistory and criticism.Russian prose literatureHistory and criticism.891.73/5Uffelmann Dirkauthttp://id.loc.gov/vocabulary/relators/aut1044210DE-B1597DE-B1597BOOK9910481029803321Vladimir Sorokin's Discourses2469719UNINA