03732oam 22006614a 450 991048088470332120210209141441.01-4798-7685-21-4798-5848-X10.18574/9781479876853(CKB)3710000000361496(EBL)1964507(SSID)ssj0001438860(PQKBManifestationID)11894088(PQKBTitleCode)TC0001438860(PQKBWorkID)11382622(PQKB)11332943(StDuBDS)EDZ0001533146(MiAaPQ)EBC3564343(DE-B1597)547166(DE-B1597)9781479876853(OCoLC)904209628(MdBmJHUP)muse86823(MiAaPQ)EBC1964507(EXLCZ)99371000000036149620151110d2015 uy 0engur|n|---|||||txtccrSurveillance CinemaNew YorkNYU Press2015Baltimore, Md. :Project MUSE, 2021©20151 online resource (474 p.)Postmillennial PopIMD-Felder maschinell generiert1-4798-3667-2 1-4798-6437-4 Includes bibliographical references and index.""Cover""; ""Contents""; ""Acknowledgments""; ""Author's Note""; ""Introduction: Surveillance Cinema in Theory and Practice""; ""1. Video Surveillance, Torture Porn, and Zones of Indistinction""; ""2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation""; ""3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic"""; ""4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State""; ""5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days""; ""Conclusion""; ""Notes"".In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.Postmillennial pop.Electronic surveillance in motion picturesSOCIAL SCIENCE / Media StudiesbisacshElectronic booksElectronic books. Electronic surveillance in motion pictures.SOCIAL SCIENCE / Media Studies.791.43656Zimmer Catherine1029798MdBmJHUPMdBmJHUPBOOK9910480884703321Surveillance Cinema2446387UNINA04140oam 22008293u 450 99632804330331620240424225731.01-61811-672-X1-61811-195-710.1515/9781618116727(CKB)2670000000422029(EBL)3110519(SSID)ssj0001189625(PQKBManifestationID)11702695(PQKBTitleCode)TC0001189625(PQKBWorkID)11175799(PQKB)10223794(DE-B1597)540931(OCoLC)1135591500(DE-B1597)9781618116727(Au-PeEL)EBL3110519(CaPaEBR)ebr10761667(CaONFJC)MIL526676(OCoLC)922977867(ScCtBLL)1b7d1432-58f1-4311-96ef-0c145be9c8e5(MiAaPQ)EBC3110519(oapen)https://directory.doabooks.org/handle/20.500.12854/38062(EXLCZ)99267000000042202920131008d2013 uy 0engurnn#---|u||utxtccrThe invention of Mikhail Lomonosov a Russian national myth /Steven A. UsitaloBoston, MAAcademic Studies Press2013Brighton, Massachusetts :Academic Studies Press,2013.©20131 online resource (240 p.)Imperial encounters in Russian historyDescription based upon print version of record.1-61811-173-6 Includes bibliographical references and index.Front matter --Contents --Acknowledgements --Introduction --Chapter 1. Honor and Status in Lomonosov's "Autobiography" --Chapter 2. Russia's "Own Platos and Quick-Witted Newtons": Inventing the Scientist --Chapter 3. Lomonosov in the Age of Pushkin --Chapter 4. Commemorating Russia's "First Scientist" --Chapter 5. Boris Menshutkin and the "Rediscovery" of Lomonosov --Epilogue. Afterlife of the Myth --Bibliography --IndexThis study explores the evolution of Lomonosov's imposing stature in Russian thought from the middle of the eighteenth century to the closing years of the Soviet period. It reveals much about the intersection in Russian culture of attitudes towards the meaning and significance of science, as well as about the rise of a Russian national identity, of which Lomonosov became an outstanding symbol. Idealized depictions of Lomonosov were employed by Russian scientists, historians, and poets, among others, in efforts to affirm to their countrymen and to the state the pragmatic advantages of science to a modernizing nation. In setting forth this assumption, Usitalo notes that no sharply drawn division can be upheld between the utilization of the myth of Lomonosov during the Soviet period of Russian history and that which characterized earlier views. The main elements that formed the mythology were laid down in the eighteenth and nineteenth centuries; Soviet scholars simply added more exaggerated layers to existing representations.Imperial Encounters in Russian HistoryAuthors, Russian18th centuryBiographyEnlightenmentRussiaRussiaCivilization18th centuryHistoryAlexander PushkinAlexander RadishchevIsaac NewtonLeonhard EulerMikhail LomonosovRussiaRussian Academy of SciencesRussiansSaint PetersburgAuthors, RussianEnlightenment509.2Usitalo Steven924996Marker Gary1948-National Endowment for the Humanities and The Andrew W. Mellon Foundation Humanities Open Book Programfndhttp://id.loc.gov/vocabulary/relators/fndMiAaPQMiAaPQMiAaPQBOOK996328043303316The invention of Mikhail Lomonosov2076108UNISA