01963oam 22005054a 450 991048084150332120170918204721.01-78499-606-81-5261-0415-61-78499-668-8(CKB)3710000000529233(StDuBDS)EDZ0001378287(MiAaPQ)EBC4786561(OCoLC)981671528(MdBmJHUP)muse59577(EXLCZ)99371000000052923320151229d2015 uy 0engur|||||||||||rdacontentrdamediardacarrierFilm modernismSam RohdieManchester :Manchester University Press,2015.Baltimore, Md. :Project MUSE, 2017©2015.1 online resourcePreviously issued in print: 2015.0-7190-9928-5 1-78499-263-1 Includes bibliographical references.Sam Rohdie presents a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of 50 categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework.Modernism (Aesthetics)Motion picturesHistoryElectronic books. Modernism (Aesthetics)Motion picturesHistory.791.436112Rohdie Sam1939-777341MdBmJHUPMdBmJHUPBOOK9910480841503321Film modernism2471403UNINA