03063oam 22005534a 450 991048068850332120210713020110.00-8147-4496-610.18574/9780814744963(MiAaPQ)EBC1991882(Au-PeEL)EBL1991882(CaPaEBR)ebr11065865(OCoLC)905658558(MdBmJHUP)muse86916(DE-B1597)548589(DE-B1597)9780814744963(EXLCZ)99371000000043098520160107d2015 uy 0engurcn#nnn|||||rdacontentrdamediardacarrierComplex TVThe Poetics of Contemporary Television Storytelling /Jason MittellLondon :New York University Press,op. 2015.Baltimore, Md. :Project MUSE,2021©op. 2015.1 online resource (x, 391 p.)0-8147-6960-8 0-8147-7135-1 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --Introduction --1. Complexity in Context --2. Beginnings --3. Authorship --4. Characters --5. Comprehension --6. Evaluation --7. Serial Melodrama --8. Orienting Paratexts --9. Transmedia Storytelling --10. Ends --Notes --Index --About the AuthorOver the past two decades, new technologies, changing viewer practices, and the proliferation of genres and channels has transformed American television. One of the most notable impacts of these shifts is the emergence of highly complex and elaborate forms of serial narrative, resulting in a robust period of formal experimentation and risky programming rarely seen in a medium that is typically viewed as formulaic and convention bound. Complex TV offers a sustained analysis of the poetics of television narrative, focusing on how storytelling has changed in recent years and how viewers make sense of these innovations. Through close analyses of key programs, including The Wire, Lost, Breaking Bad, The Sopranos, Veronica Mars, Curb Your Enthusiasm, and Mad Men the book traces the emergence of this narrative mode, focusing on issues such as viewer comprehension, transmedia storytelling, serial authorship, character change, and cultural evaluation. Developing a television-specific set of narrative theories, Complex TV argues that television is the most vital and important storytelling medium of our time.TelewizjaprogramytekstyjhpkNarracjajhpkTelewizjasztuka pisaniajhpkElectronic books.TelewizjaprogramyNarracja.Telewizjasztuka pisania.808.2/25Mittell Jason(1970- )1051658New York University Press.pblMdBmJHUPMdBmJHUPBOOK9910480688503321Complex TV2482326UNINA04407 am 2201117 n 450 9910495715703321201901032-7132-3078-010.4000/books.editionsehess.5640(CKB)4100000007279160(FrMaCLE)OB-editionsehess-5640(oapen)https://directory.doabooks.org/handle/20.500.12854/95028(PPN)233323066(EXLCZ)99410000000727916020181221j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierDossier : Place aux objets ! Présentification et vie des artefacts en Grèce ancienne /Paris-Athènes Éditions de l’École des hautes études en sciences sociales20191 online resource (358 p.)Mètis2-7132-2766-6 Dossier : Et si, par-delà la dichotomie classique sujet-objet, les artefacts étaient appréhendés comme des agents voire des événements, et considérés dans leur rapport au temps et à l’espace ? Ce dossier propose l’étude des phénomènes, dispositifs et contextes par lesquels les objets adviennent en Grèce ancienne. Varia : Balles de fronde, noms barbares : la puissance des mots. Imaginaires du passé : la guerre lélantine, la figure de Solon. Le rôle de la peau dans le diagnostic médical. Savoirs et lieux de savoirs. Issue: How can we break the paradigm in which objects are thought of as simple devices or mediators, ontologically distinct from human subjects? A close dialogue with anthropological fieldwork invites to focus on the « presence » of artifacts, as they are given within a « world horizon » (Merleau-Ponty). This report explores the phenomena, devices and contexts able to bring an artifact to life, paying close attention to their modes of presentification. Examining how they are activated sheds new light on the way objects are handled. What happens when an artifact is augmented, modified, hidden or, per contra, disclosed? What enunciative and visual strategies does it appear with? In that perspective, the artifact is not to be thought of as a closed, finite object, but has to be connected with the sensory environment it creates or which affects it.DossierDossier HistoryAnthropologyCultural studiesobjetartefactmatérialitémémoiregesteekphrasisinscriptionarmeiconicitéobjectartifactmaterialitymemorygestureweaponiconicityobjectartifactmaterialitymemorygestureekphrasisinscriptionweaponiconicityHistoryAnthropologyCultural studiesobjetartefactmatérialitémémoiregesteekphrasisinscriptionarmeiconicitéobjectartifactmaterialitymemorygestureweaponiconicityBershadsky Natasha1350812Brouillet Manon1327439Carastro Cléo1350813Corre Nicolas1350814Gavrylenko Valeria1350815Giovacchini Julie1322062Judet de La Combe Pierre185156Kirk Athena1350816Latifses Ajda1350817Lefebvre Benoît1350818Lissarrague François386375Platt Verity1350819Siron Nicolas1284748Steiner Deborah451337Villetard Michèle1350820Webb Ruth474187FR-FrMaCLEBOOK9910495715703321Dossier : Place aux objets 3089821UNINA