03614nam 2200601 450 991048059620332120190826145055.090-04-35284-810.1163/9789004352841(CKB)4100000000775623(MiAaPQ)EBC5151505(OCoLC)1012488210(nllekb)BRILL9789004352841(EXLCZ)99410000000077562320171219h20182018 uy 0engurcnu||||||||rdacontentrdamediardacarrierAffect, emotion, and subjectivity in early modern Muslim Empires new studies in Ottoman, Safavid, and Mughal art and culture /edited by Kishwar RizviLeiden, The Netherlands ;Boston, [Massachusetts] :Brill,2018.©20181 online resource (234 pages) color illustrationsArts and Archaeology of the Islamic World,2213-3844 ;Volume 990-04-34047-5 Includes bibliographical references at the end of each chapters and index.Front Matter -- Acknowledgements and Note on Transliteration -- Introduction: Affect, Emotion, and Subjectivity in the Early Modern Period /Kishwar Rizvi -- Chasing after the Muhandis /Sussan Babaie -- Who’s Hiding Here? /Marianna Shreve Simpson -- Ottoman Author Portraits in the Early-modern Period /Emine Fetvacı -- In Defense and Devotion /Christiane Gruber -- Sentiment in Silks /Sylvia Houghteling -- The City Built, the City Rendered /Chanchal Dadlani -- Fāʾiz Dihlavī’s Female-Centered Poems and the Representation of Public Life in Late Mughal Society /Sunil Sharma -- Mevlevi Sufis and the Representation of Emotion in the Arts of the Ottoman World /Jamal J. Elias.Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.Arts and archaeology of the Islamic world ;Volume 9.Emotions in artArt, OttomanArt, Mogul EmpireArt, SafavidArchitecture, Mogul EmpireTurkeyCivilization1288-1918IndiaCivilizationIranCivilizationElectronic books.Emotions in art.Art, Ottoman.Art, Mogul Empire.Art, Safavid.Architecture, Mogul Empire.709.54Rizvi KishwarMiAaPQMiAaPQMiAaPQBOOK9910480596203321Affect, emotion, and subjectivity in early modern Muslim Empires2113186UNINA01525nam 2200385Ia 450 99638483290331620200824131939.0(CKB)4940000000073283(EEBO)2240875647(OCoLC)ocm11634361e(OCoLC)11634361(EXLCZ)99494000000007328319850129d1700 uy |engurbn||||a|bb|The evidence of things not seen, or, Diverse scriptural and philosophical discourses, concerning the state of good and holy men after death ..[electronic resource] /by that eminently learned divine Moses Amyraldus ; translated out of the French tongue by a Minister of the Church of EnglandLondon Printed for Tho. Cockerill ...[1700?][12], 231, [1] pTranslation of: Discours de l'estat des fidèles après la mort.Date of publication from Wing.Errata: p. [232].Reproduction of original in Dr. Williams Library.eebo-0037ImmortalityImmortality.Amyraut Moïse1596-1664.993054Minister of the Church of England1005323EAAEAAm/cWaOLNBOOK996384832903316The evidence of things not seen, or, Diverse scriptural and philosophical discourses, concerning the state of good and holy men after death .2360273UNISA