04265nam 2200553 450 991048025290332120210831023624.00-271-03477-710.1515/9780271034775(CKB)1000000000534441(MH)010257349-2(SSID)ssj0000158034(PQKBManifestationID)12007609(PQKBTitleCode)TC0000158034(PQKBWorkID)10147597(PQKB)10216809(OCoLC)1080549462(MdBmJHUP)muse68730(MiAaPQ)EBC6224421(DE-B1597)583838(DE-B1597)9780271034775(EXLCZ)99100000000053444120200929d2006 uy 0engur|||||||nn|ntxtccrFrauenlob's Song of songs a medieval German poet and his masterpiece /Barbara Newman ; with the critical text of Karl Stackmann ; and a musical performance on CD by the Ensemble Sequentia directed by Barbara Thornton and Benjamin BagbyUniversity Park, Pennsylvania :The Pennsylvania State University Press,2006.1 online resource (xxi, 241 p. )ill. ;1 sound disc (digital ; 4 3/4 in.)Translated from the High German.0-271-02925-0 Includes bibliographical references and indexes.Front matter --Contents --List of Illustrations --Preface --About the Text, the Translation, and the Recording --Marienleich / Frauenlob’s Song of Songs: Text and Translation --1 The Performer, His Public, and His Peers --2 Frauenlob’s Canon --3 The Marienleich in Context --4 The Marienleich as a Work of Art --5 Reception and Influence --Commentary on the Marienleich --Glossary of Technical Terms --Abbreviations --Bibliography --Index of Marienleich Citations --Index of Biblical Citations --General Index“Frauenlob” was the stage name of Heinrich von Meissen (c. 1260–1318), a medieval German poet-minstrel. A famous and controversial figure in his day, Frauenlob (meaning “praise of ladies”) exercised a strong influence on German literature into the eighteenth century. This book introduces the poet to English-speaking readers with a fresh poetic translation of his masterpiece, the Marienleich—a virtuosic poem of more than 500 lines in praise of the Virgin Mary. Barbara Newman, known for her pathbreaking translation of Hildegard of Bingen’s Symphonia, brilliantly captures the fervent eroticism of Frauenlob’s language. More than the mother of Jesus, the Lady of Frauenlob’s text is a celestial goddess, the eternal partner of the Trinity. Like Christ himself she is explicitly said to have two natures, human and divine. Frauenlob lets the Lady speak for herself in an unusual first-person text of self-revelation, crafted from the Song of Songs, the Biblical wisdom books, the Apocalypse, and a wide array of secular materials ranging from courtly romance to Aristotelian philosophy. Included with the book is a CD recording of the Marienleich by the noted ensemble Sequentia, directed by Benjamin Bagby and the late Barbara Thornton. The surviving music is the composer’s own, reconstructed from fragmentary manuscript sources. Accompanying Newman’s translation is a facing-page edition of the German text, detailed commentary, and a critical study presenting the most thorough discussion to date of Frauenlob’s oeuvre, social context, philosophical ideas, sources, language, music, and influence. Rescuing a long forgotten medieval masterpiece, Frauenlob’s Song of Songs will fascinate students and scholars of the Middle Ages as well as scholars, performers, and connoisseurs of early music.German poetryMiddle High German, 1050-1500History and criticismElectronic books.German poetryHistory and criticism.831/.22Newman Barbara1953-977051Stackmann KarlMiAaPQMiAaPQMiAaPQBOOK9910480252903321Frauenlob's Song of songs2451863UNINA