02791nam 2200529 450 991048018520332120210208151136.01-77558-517-41-86940-628-11-77558-030-X(CKB)2670000000491951(EBL)1411747(SSID)ssj0001060667(PQKBManifestationID)11985602(PQKBTitleCode)TC0001060667(PQKBWorkID)11087582(PQKB)10703864(MiAaPQ)EBC1557345(EXLCZ)99267000000049195120061019h20062006 uy| 0engur|n|---|||||txtccrBrief lives /Chris PriceAuckland, N.Z. :Auckland University Press,2006.©20061 online resource (154 p.)"An eccentric collection of biographical anecdotes and fictional vignettes ... a meditation on mortality"--Inner fold of cover.1-86940-363-0 Includes bibliographical references.Cover; Title Page; Dedication; Table of Contents; Epigraph; BRIEF LIVES; AFTER THE PARTY; THE AGE; ALTITUDE SICKNESS; ANNE CARSON; ANTHONY; BIOGRAPHICAL FALLACIES; CALM; COLLECTOR; ON COMPOSITION; CREATION STORIES; DIONYSIAN; DISPOSABLE; DREAM LIFE; EVE'S DAUGHTER; THE FALLEN; FAMILY WISDOM; FIRE AND WATER; HARRY PARTCH; HILDEGARD OF BINGEN; HOROLOGIST; JESUS OF MONTPARNASSE; LOTT'S MOTHER; MAX; THE NEXT DAY; NOTEBOOK; OTHER DICTIONARIES; PATHOLOGICAL ANATOMY; PETRARCH'S BONES; PRAYER WHEEL; REHABILITATION; THE SERPENT LECTURES; SINGAPORE; SPECIMEN JAR; THE UNHAPPINESS OF HOLIDAYS; [UNTITLED]VXYLOTHÈQUE; ZOOPRAXISCOPE; VARIABLE STARS; VARIABLE STARS; Acknowledgements; Sources; Quotes; CopyrightBrief Lives is an eccentric collection of biographical anecdotes and fictional vignettes in which famous figures such as Goethe, Petrarch and Antonin Artaud rub shoulders with impecunious aristocrats, actors and art historians as well as a range of fictional characters caught amid the daily chaos of their lives. Here a dead man recounts his experiences as a Jesus impersonator. A wife reflects on the unhappiness of holidays. A doctor conducts altitude experiments on prisoners. Lott loses his mother's ashes in Amsterdam, and Nietzsche dances naked round a stove in Turin. These small, curiouNew Zealand literatureElectronic books.New Zealand literature.828.307Price Chris1962-968058MiAaPQMiAaPQMiAaPQBOOK9910480185203321Brief lives2198589UNINA00987nam a2200253 i 4500991000157539707536090402s2007 it 001 0 ita d978-88-430-3928-9b13820758-39ule_instFacoltà SSPTita372.89Giorda, Cristiano 283667La geografia nella scuola primaria :contenuti, strumenti, didattica /Cristiano Giorda 2. rist. Roma :Carocci,2007 186 p. ;22 cm Ambiente, società, territorio ;3.Strumenti ;2 GeografiaInsegnamentoScuole elementari .b1382075802-04-1402-04-09991000157539707536LE021 372.89 GIO01.0112020000012825le021pE14.90-n- 01010.i1494894102-04-09Geografia nella scuola primaria990273UNISALENTOle02002-04-09ma -itait 3003969nam 22006615 450 991077025090332120250807132224.09783031458743(electronic bk.)978303145873610.1007/978-3-031-45874-3(MiAaPQ)EBC31018122(Au-PeEL)EBL31018122(DE-He213)978-3-031-45874-3(CKB)29374456400041(Perlego)4533343(EXLCZ)992937445640004120231213d2024 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierUnderstanding CCI through Chinese Theatre /by Haili Ma1st ed. 2024.Cham :Springer International Publishing :Imprint: Palgrave Pivot,2024.1 online resource (163 pages)Print version: Ma, Haili Understanding CCI Through Chinese Theatre Cham : Springer International Publishing AG,c2024 9783031458736 Includes bibliographical references and index.1. Introduction -- 2. Zhejiang all-female Yueju, from textile factory to creative cluster -- 3. Xi’an Qinqiang, ‘creative destruction’ for new urban branding -- 4. Suzhou Kunqu, conspicuous consumption for the new scholar middle class -- 5. Dongbei Errenzhuan, the rise and fall of a Chinese entertainment industry -- 6. Fujian Gaojiaxi, global illegal migrants’ opera consumption -- 7. Shanghai Huju, Opera Village verses Disneyland, the power of the tradition -- 8. Conclusion.This book examines the development of Cultural and Creative Industries (CCI) in China through the angle of Chinese Theatre, xiqu. It focuses on the political and socio-economic transition period at the turn of the 21st century, as China evolves from ‘Made in China’ to ‘Created in China’, highlighting associated class reconstruction and cultural production and consumption. There are many forms of Chinese Theatre, the most popular one throughout Chinese history to date is the sing-song drama, collectively refers to as xiqu, which currently has over 300 regional styles across China. In 2014, President Xi Jinping’s Beijing Talk on Arts and Literature, which serves as China’s latest Chinese Communist Party (CCP) ideological direction and cultural policy, stressed that ‘the future of Chinese cultural and creative industries is to be anchored on traditional art forms, such as xiqu’. Such Chinese cultural and creative industry distinction will be addressed in this book. Haili Ma is Associate Professor in the School of Performance and Cultural Industries at the University of Leeds, UK. Haili’s research focuses on Chinese theatre and the cultural and creative industries in global contexts. Before coming to the UK in 1997, Haili was a member of the Shanghai Luwan All-Female Yue Opera Company, specializing in Xiaosheng (male role). Haili is the author of Urban Politics and Cultural Capital: The Case of Chinese Opera (2015).EthnologyAsiaCulturePerforming artsTheaterCultural policyCultural propertyAsian CultureTheatre and Performance ArtsCultural Policy and PoliticsCultural HeritageEthnologyCulture.Performing arts.Theater.Cultural policy.Cultural property.Asian Culture.Theatre and Performance Arts.Cultural Policy and Politics.Cultural Heritage.338.47700951Ma Haili1460359MiAaPQMiAaPQMiAaPQ9910770250903321Understanding CCI Through Chinese Theatre3660249UNINA