02561oam 2200577 c 450 991047731900332120240525094506.010.3726/b12996(CKB)4340000000239232(oapen)https://directory.doabooks.org/handle/20.500.12854/37569(PH02)9783954794058(EXLCZ)99434000000023923220240525d1989 uy 0gerurnnunnnannuutxtrdacontentcrdamediacrrdacarrierThe Story of an OperettaLe dernier sorcier by Pauline Viardot and Ivan Turgenev, Vol. 1Nicholas G. Žekulin1st, New ed.Frankfurt a.MPH0219891 online resource (155 p.), EPDFVorträge und Abhandlungen zur Slavistik15Peter Lang GmbH, Internationaler Verlag der Wissenschaften3-95479-405-5 1867 Baden-Baden: The Théâtre du Thiergarten - 1868 Baden-Baden: Two Seasons - 1869 Weimar: Der letzte Zauberer - 1869 Baden-Baden: The Théâtre Viardot - 1870 Année Climatérique (I): "The Karlsruhe Affair" - 1870 Année Climatérique (2): Drang nach OstenFew readers of the works of the Russian author Ivan Turgenev are aware of the fact that he occasionally engaged in the writing of libretti. Even fewer people realize that Turgenev was interested in libretti-both theoretically and in practice- for much of his literary career. No attempt has yet been made to study his libretti in their essential context, that of Pauline Viardot׳s music. The present two-part study represent an effort at considering this apect of his life and work. It is based primarily on le Dernier Sorcier [The Last Sorcerer], arguably the best and most important of the Turgenev-Viardot operettas.Story of an OperettaLiterature & literary studiesbicsscdernierFranz LisztIvanliberittioperettaOperettaPaulinePauline Viardotrussian literaturesorcierStoryTurgenevViardotŽekulinLiterature & literary studiesŽekulin Nicholas Gaut1319586PH02PH02BOOK9910477319003321The Story of an Operetta3033995UNINA