02306nam 2200373 450 991047712780332120230219080401.0(CKB)5470000000568664(NjHacI)995470000000568664(EXLCZ)99547000000056866420230219d2019 uy 0gerur|||||||||||txtrdacontentcrdamediacrrdacarrierDas Flüchtige Werk Pianistische Improvisationen der Beethoven-Zeit /edited by Michael Lehner, [and three others]. Schliengen, Germany :Edition Argus,2019.1 online resource (270 pages) illustrationsThe goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical performance practice und historically informed music theory. What were the different esthetical viewpoints on pianistic improvisation? What were the standard models and conventional designs of improvised piano music of that time? How was improvisation taught? How can the conflict between generic approaches and the ideal of unmistakable individuality of the performer be described? Therefore, a variety of sources is examined by the contributors to this volume: italian partimenti, composed music that is guided by improvisational thinking (like Fantasia and Capriccio) textbooks, teaching documents, concert reports etc ... Besides the outstanding significance of Beethoven as improviser (already noted and admired by his contemporaries), this anthology tries to give a fuller picture by sheding light on then well-known figures like Ciacomo Tritto, Carl Czerny, Joseph Preindl, Joseph Lipavsky, Justin Heinrich Knecht and others.Flüchtige Werk Flüchtige Werk Criticism, interpretation, etcPiano musicCriticism, interpretation, etc.Piano music.262.0011092Lehner MichaelNjHacINjHaclBOOK9910477127803321Das Flüchtige Werk3018218UNINA