03899oam 2200757 c 450 991047693460332120250802090638.09783839429549383942954410.14361/9783839429549(CKB)4340000000001022(DE-B1597)453201(OCoLC)1013957864(OCoLC)1049619215(OCoLC)1054880423(OCoLC)948804454(DE-B1597)9783839429549(MiAaPQ)EBC4940311(Au-PeEL)EBL4940311(CaPaEBR)ebr11427252(OCoLC)1002016406(ScCtBLL)b87408bb-4eea-4f0d-a218-6bca8666171e(oapen)https://directory.doabooks.org/handle/20.500.12854/29759(Perlego)1796736(transcript Verlag)9783839429549(oapen)doab29759(EXLCZ)99434000000000102220250802d2016 uy 0engur||#||||||||txtrdacontentcrdamediacrrdacarrierAt Face Value and BeyondPhotographic Constructions of RealityMonika Schwärzler1st ed.Bielefeldtranscript Verlag2016Bielefeldtranscript Verlag20161 online resourceImage75Frontmatter 1 Acknowledgment 7 Inhalt 8 Introductory Remarks 11 Conscious and Semi-Conscious States of the Camera 17 Dressed to Suffer and Redeem 33 Blocked View and Impeded Vision 55 Unedited Glamor 73 Lost in Pleasure 95 Death Can Wait 113 "The Beast" 137 Denigrative Views 151 The White Handbag 163 References 181How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.»Monika Schwärzler [hat] aus dem divergenten Material eine analytisch stringente und zugleich gut lesbare Anleitung dafür geschaffen, wie man die einem ersten ›müden‹ Blick vertraut erscheinenden Bilder neu sehen kann: Media Literacy auf hohem Niveau.« Michael Freund, Fotogeschichte, 143 (2017) Besprochen in: EIKON, 96 (2016)ImagePhotography; Visual Culture; Imagery; Visual Literacy; Media; Image; Visual Studies; Fine Arts;ArtsFine ArtsImageImageryLarge Hadron ColliderMediaPhotographythema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studiesThomas StruthVisual CultureVisual LiteracyVisual StudiesPhotography; Visual Culture; Imagery; Visual Literacy; Media; Image; Visual Studies; Fine Arts;300Schwärzler Monikaaut891727Knowledge Unlatched - KU Select 2017: Backlist Collectionfndhttp://id.loc.gov/vocabulary/relators/fndDE-B1597DE-B1597BOOK9910476934603321At Face Value and Beyond1991582UNINA