03531nam 2200565 450 991046723650332120200520144314.090-04-35613-410.1163/9789004356139(CKB)4100000002636639(MiAaPQ)EBC5331693(OCoLC)1030308971(nllekb)BRILL9789004356139(Au-PeEL)EBL5331693(CaPaEBR)ebr11535369(OCoLC)1030821002(EXLCZ)99410000000263663920180420d2018 uy 0gerurcnu||||||||txtrdacontentcrdamediacrrdacarrier'Ali Qoli Jebadar et l'occidentalisme safavide une etude sur les peintures dites farangi sazi, leurs milieux et commanditaires sous Shāh Soleiman (1666-94) /par Negar HabibiLeiden ;Boston :Brill,[2018]©20181 online resource (xiv, 207 pages) color illustrations, portraitsStudies in Persian Cultural History,2210-3554 ;Volume 13Updated version of the author's thesis (doctoral--Université de droit, d'économie et des sciences d'Aix-Marseille, 2014) under the title: Le farangi sāzi et les peintures de ʻAli Qoli Jebādār.90-04-35587-1 Includes bibliographical references (pages 178-203) and index.Front Matter -- Copyright page -- -- Remerciements -- Transcription du persan -- Liste des abréviations dans les notes -- Liste des illustrations et crédits photos -- Introduction -- ʿAli Qoli Jebādār : l’artiste aux titres royaux1 -- Farangi sāzi? Une considération sur les peintures occidentalistes safavides -- L’État de Shāh SoleimānShāh Soleimān : l’historique des centres du pouvoir safavide entre 1666 et 1694 -- Le mécénat artistique à la cour de Shāh Soleimān : Le syncrétisme artistique des peintures de ʿAli Qoli JebādārʿAli Qoli Jebādār -- Conclusion générale.In 'ʻAli Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ʻAli Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of 'Ali Qoli Jebadar's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sazi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world.Studies in Persian cultural history ;Volume 13.Art patronageIranHistory17th centuryArt and societyIranHistory17th centuryArt, SafavidThemes, motivesElectronic books.Art patronageHistoryArt and societyHistoryArt, SafavidThemes, motives.700.961Habibi Negar1981-927129MiAaPQMiAaPQMiAaPQBOOK9910467236503321Ali Qoli Jebadar et l'occidentalisme safavide2083082UNINA