05063nam 2200733 450 991046634190332120190704104706.0(CKB)3710000000609787(EBL)4441474(SSID)ssj0001624635(PQKBManifestationID)16361798(PQKBTitleCode)TC0001624635(PQKBWorkID)14916875(PQKB)10975055(PQKBManifestationID)16343133(PQKBWorkID)14916876(PQKB)22869972(MiAaPQ)EBC4441474(DLC) 2016009282(EXLCZ)99371000000060978720160223h20162016 uy| 0engur|n|---|||||txtccrHumour and relevance /Francisco YusAmsterdam ;Philadelphia :John Benjamins Publishing Company,[2016]©20161 online resource (389 p.)Topics in Humor Research (THR),2212-8999 ;4Description based upon print version of record.90-272-6721-9 90-272-0231-1 Includes bibliographical references and indexes.Humour and Relevance; Editorial page; Title page; LCC data; Dedication page; Table of Contents; Acknowledgement ; Introduction; Relevance theory; 1.1 Introduction: An inferential model of communication; 1.2 Gricean pragmatics; 1.3 Manifestness and cognitive environments; 1.4 Principles and conditions of relevance; 1.5 Comprehension; 1.6 Explicit versus implicated interpretations; 1.7 Social aspects of communication; Relevance theory; 2.1 Introduction: An inferential model of communication; 2.2 Gricean pragmatics; 2.3 Manifestness and cognitive environments2.4 Principles and conditions of relevance2.5 Comprehension; 2.6 Explicit versus implicated interpretations; 2.7 Social aspects of communication; Incongruity-resolution revisited; 3.1 Introduction; 3.2 Background; 3.3 Theories and classifications; 3.3.1 Suls' two-stage model; 3.3.2 Ritchie's forced reinterpretation model; 3.3.3 Dynel's three-fold classification; 3.3.4 Koestler's bisociation theory; 3.3.5 Giora's graded salience hypothesis; 3.3.6 Raskin's SSTH and Attardo and Raskin's GTVH; 3.4 Make-sense frame versus discourse inference; 3.4.1 Frame; 3.4.2 Schema; 3.4.3 Script3.4.4 Make-sense frame3.5 Why is incongruity humorous?; 3.6 Are incongruity and resolution needed?; 3.6.1 Incongruity is sufficient; 3.6.2 Resolution is also necessary; 3.6.3 Incongruity is solved but persists; 3.7 Incongruity-resolution and relevance; 3.8 A new classification of incongruity-resolution patterns; 3.8.1 [frame-based incongruity] [setup] [discourse-based resolution]; 3.8.2 [frame-based incongruity] [punchline] [discourse-based resolution]; 3.8.3 [frame-based incongruity] [setup] [frame-based resolution]; 3.8.4 [frame-based incongruity] [punchline] [frame-based resolution]3.8.5 [frame-based incongruity] [setup] [implication-based resolution]3.8.6 [frame-based incongruity] [punchline] [implication-based resolution]; 3.8.7 [discourse-based incongruity] [setup] [discourse-based resolution]; 3.8.8 [discourse-based incongruity] [punchline] [discourse-based resolution]; 3.8.9 [discourse-based incongruity] [setup] [frame-based resolution]; 3.8.10 [discourse-based incongruity] [punchline] [frame-based resolution]; 3.8.11 [discourse-based incongruity] [setup] [implication-based resolution]; 3.8.12 [discourse-based incongruity] [punchline] [implication-based resolution]The intersecting circles model of humorous communication4.1 Introduction; 4.2 Utterance interpretation as mutual parallel adjustment; 4.3 Make-sense frames and interaction; 4.4 Cultural frames; 4.5 Mind reading and predicted humorous effects; 4.6 Make-sense frames and cultural frames in joke interpretation; 4.7 Towards a new typology of jokes: The Intersecting Circles Model; 4.7.1 Type 1: Make-sense frame + cultural frame + utterance interpretation; 4.7.2 Type 2: Make-sense frame + cultural frame; 4.7.3 Type 3: Make-sense frame + utterance interpretation; 4.7.4 Type 4: Make-sense frame4.7.5 Type 5: Cultural frame + utterance interpretationTopics in humor research ;4.Discourse analysisWit and humorHistory and criticismTheoryRelevancePragmaticsCognitive psychologyPsycholinguisticsElectronic books.Discourse analysis.Wit and humorHistory and criticismTheory.Relevance.Pragmatics.Cognitive psychology.Psycholinguistics.809.7/00141Yus Francisco591614MiAaPQMiAaPQMiAaPQBOOK9910466341903321Humour and relevance2225395UNINA03811nam 22006131 450 991079558870332120170413183337.01-350-02627-11-350-02623-910.5040/9781350026278(CKB)4340000000214372(MiAaPQ)EBC4985943(OCoLC)1002065004(UtOrBLW)bpp09261109(EXLCZ)99434000000021437220171025d2017 uy 0engurcnu||||||||rdacontentrdamediardacarrierGendering modernism a historical reappraisal of the canon /Maria BucurLondon ;New York :Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,2017.1 online resource (150 pages) illustrations1-350-02625-5 1-350-02624-7 Includes bibliographical references and index.Prologue -- Introduction: What Sort of Rebellion? -- 1. Modernism before the Great War -- 2. Modernism Flourishes -- 3. The Modernist Canon : How Did it Come About? -- 4. A New Set of Criteria : Rebellion, Rejection, and Reimagining Modernism."Gendering Modernism offers a critical reappraisal of the modernist movement, asking how gender norms of the time shaped the rebellion of the self-avowed modernists and examining the impact of radical gender reformers on modernism. Focusing primarily on the connections between North American and European modernists, Maria Bucur explains why it is imperative that we consider the gender angles of modernism as a way to understand the legacies of the movement. She provides an overview of the scholarship on modernism and an analysis of how definitions of modernism have evolved with that scholarship. Interweaving vivid case studies from before the Great War to the interwar period--looking at individual modernists from Ibsen to Picasso, Hannah Höch to Josephine Baker--she covers various fields such as art, literature, theatre and film, whilst also demonstrating how modernism manifested itself in the major social-political and cultural shifts of the 20th century, including suffragist feminism, psychology, sexology, eugenics, nudism, anarchism, communism and fascism. This is a fresh and wide-ranging investigation of modernism which expands our definition of the movement, integrating gender analysis and thereby opening up new lines of enquiry. Written in a lively and accessible style, Gendering Modernism is a crucial intervention into the literature which should be read by all students and scholars of the modernist movement as well 20th-century history and gender studies more broadly"--Provided by publisher.Arts and societyHistory20th centuryArts, ModernPhilosophyArts, Modern20th centurySex roleHistory20th centurySocial movementsHistory20th centuryWomen and the artsEuropeHistory20th centuryWomen and the artsUnited StatesHistory20th centuryLiterature: history & criticismEuropeIntellectual life20th centuryUnited StatesIntellectual life20th centuryArts and societyHistoryArts, ModernPhilosophy.Arts, ModernSex roleHistorySocial movementsHistoryWomen and the artsHistoryWomen and the artsHistory700/.4522Bucur-Deckard Maria1968-690356UtOrBLWUtOrBLWBOOK9910795588703321Gendering modernism3747960UNINA