03778nam 2200565 450 991046632680332120200520144314.00-19-973828-9(CKB)3710000000623086(EBL)4704387(MiAaPQ)EBC4704387(Au-PeEL)EBL4704387(CaPaEBR)ebr11273985(OCoLC)779875891(EXLCZ)99371000000062308620161012h20092009 uy 0engur|n|---|||||rdacontentrdamediardacarrierMetric manipulations in Haydn and Mozart chamber music for strings, 1787-1791 /Danuta MirkaOxford, [England] ;New York, New York :Oxford University Press,2009.©20091 online resource (349 p.)Oxford Studies in Music TheoryDescription based upon print version of record.0-19-935408-1 Includes bibliographical references and indexes.Contents; Introduction; Note on Terminology, Language, and Musical Examples; 1 Musical Meter between Composition and Perception; 1.1 The Concept of Meter in the Late Eighteenth Century; 1.2 The Revival of the Hierarchical Concept of Meter in the Twentieth Century; 1.3 Toward a Dynamic Model of Meter; 1.4 Borrowing from a Different Model; 2 Finding Meter; 2.1 Statistical Parameters; 2.2 Harmony; 2.3 Streaming and the Role of Bass; 2.4 Cadence (Structural Accent); 3 Sustaining Meter-Challenging Meter; 3.1 Metrum and Regularity of Beats; 3.2 Missing Beats; 3.3 General Pauses; 3.4 Fermatas3.5 Syncopations4 Changing Meter I: Change of Period; 4.1 Imbroglio; 4.2 Submetrical Dissonance; 4.3 Hemiola; 5 Changing Meter II: Change of Phase; 5.1 Chains of Rhythmical Dissonances; 5.2 Other Parameters in Displacement Dissonances; 5.3 Imitation; 5.4 Ligaturae, Retardation, Anticipation; 5.5 Syncopated Accompaniment; 5.6 A Remark on Subliminal Dissonances; 6 Changing Meter III: Change of Tactus; 6.1 Changes of Taktteile in Compound Meters; 6.2 Changes of Taktteile in Double Measures; 6.3 Perceptual Factors; 6.4 Taktteile and the Tactus; 7 Analyses of Long-Range Metrical Strategies7.1 Haydn, String Quartet in C Major, Op. 50 No. 2, First Movement7.2 Haydn, String Quartet in F Minor, Op. 55 No. 2, Finale; 8 Wit, Comedy, and Metric Manipulations in Haydn's and Mozart's Personal Styles; 8.1 Haydn; 8.2 Mozart; 8.3 Haydn's Earlier and Later String Quartets; 8.4 Inconclusive Conclusion; Bibliography; Index of Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; ZFocusing on the period of most intense metric experimentation in the work of both Haydn and Mozart, author Danuta Mirka presents here a systematic discussion of the composers' metric strategies. Combining historical music theory with the cognitive study of music, Mirka's award-winning book sheds new light on this repertoire and redefines the role of meter and rhythm in Classical music.Oxford studies in music theory.Musical meter and rhythmChamber music18th centuryAnalysis, appreciationChamber music18th centuryHistory and criticismElectronic books.Musical meter and rhythm.Chamber musicAnalysis, appreciation.Chamber musicHistory and criticism.785/.70922Mirka Danuta1049488MiAaPQMiAaPQMiAaPQBOOK9910466326803321Metric manipulations in Haydn and Mozart2478542UNINA