03788nam 2200589 450 991046605960332120170109123229.01-78138-406-11-78138-458-4(CKB)3710000000770847(MiAaPQ)EBC4791371(StDuBDS)EDZ0001597395(UkCbUP)CR9781781384589(EXLCZ)99371000000077084720160923d2016 uy| 0engurcnu||||||||rdacontentrdamediardacarrierEuropeanising spaces in Paris, c. 1947-1962 /Hugh McDonnellLiverpool :Liverpool University Press,2018.1 online resource (304 pages) illustrationsPreviously issued in print: 2016.1-78138-302-2 Includes bibliographical references and index."In the wake of the Second World War, ideas of Europe abounded. What did Europe mean as a concept, and what did it mean to be European? Europeanising Spaces in Paris, c. 1947-1962 makes the case that Paris was both a leading and distinctive forum for the expression of these ideas in the post-war period. It examines spaces in the French capital in which ideas about Europe were formulated, articulated, exchanged, circulated, and contested during this post-war period, roughly between the escalation of the Cold War and the end of France's war of decolonisation in Algeria. Such processes of making sense of Europe are elucidated in urban, political and cultural spaces in the French capital. Specifically, the Parisian café, home and street are each examined in terms of how they were implicated in ideas about Europe. Then, the Paris-based Mouvement socialiste des états unis d'Europe (The Socialist Movement for the United States of Europe) and the far-right wing Fédération des étudiants nationalistes (The Federation of Nationalist Students) are examined as examples of political movements that mobilised around--very different--concepts of Europe. The final section on cultural Europeanising spaces draws attention to the specificities of the Europeanism of exiles from Franco's Spain in Paris; the work of the great scholar of the Arab world, Jacques Berque, in the context of his understanding of the Mediterranean world and his understanding of faith; and finally, the work of the legendary photographer, Henri Cartier-Bresson, by looking at the capacities and limitations of the photographic medium for the representation of Europe, and how these corresponded with Cartier-Bresson's political, social, and aesthetic commitments"--Publisher description.Public spacesFranceParisHistory20th centuryCoffeehousesFranceParisHistory20th centuryHomeFranceParisHistory20th centuryStreet lifeFranceParisHistory20th centuryPolitical cultureFranceParisHistory20th centuryParis (France)Social life and customs20th centuryParis (France)Intellectual life20th centuryParis (France)RelationsEuropeEuropeRelationsFranceParisParis (France)Politics and government1945-Electronic books.Public spacesHistoryCoffeehousesHistoryHomeHistoryStreet lifeHistoryPolitical cultureHistory840.900914McDonnell Hugh927252MiAaPQMiAaPQMiAaPQBOOK9910466059603321Europeanising spaces in Paris, c. 1947-19622083438UNINA