02567nam 2200541 450 991046587000332120200520144314.00-262-33446-1(OCoLC)941999240(OCoLC)958349991(OCoLC)958448400(OCoLC)959910313(OCoLC)1055374047(OCoLC)1066443184(OCoLC)1081221943(OCoLC-P)941999240(MaCbMITP)10192(MiAaPQ)EBC4424502(Au-PeEL)EBL4424502(CaPaEBR)ebr11206785(CaONFJC)MIL901000(OCoLC)941999240(EXLCZ)99371000000060357620150930d2016 uy| 0engurcnu---unuuutxtccrDigital signatures the impact of digitization on popular music sound /Ragnhild Brøvig-Hanssen and Anne DanielsenCambridge, Massachusetts :MIT Press,2016.1 online resource (199 p.)Description based upon print version of record.0-262-03414-X Includes bibliographical references and index.Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.Popular musicPhilosophy and aestheticsPopular musicProduction and directionSoundRecording and reproducingDigital techniquesElectronic books.Popular musicPhilosophy and aesthetics.Popular musicProduction and direction.SoundRecording and reproducingDigital techniques.781.640285Brøvig-Hanssen Ragnhild963916Danielsen AnneMiAaPQMiAaPQMiAaPQBOOK9910465870003321Digital signatures2185958UNINA