02370nam 22006014a 450 991046582860332120200520144314.00-19-985630-397866108376490-19-534853-21-280-83764-01-4294-2025-1(CKB)2560000000296449(EBL)3052112(OCoLC)77519660(SSID)ssj0000089165(PQKBManifestationID)11127029(PQKBTitleCode)TC0000089165(PQKBWorkID)10088732(PQKB)10768788(StDuBDS)EDZ0000073215(MiAaPQ)EBC3052112(Au-PeEL)EBL3052112(CaPaEBR)ebr10160505(CaONFJC)MIL83764(EXLCZ)99256000000029644920050307d2006 uy 0engur|n|---|||||txtccrRecognition in Mozart's operas[electronic resource] /Jessica WaldoffNew York Oxford University Press20061 online resource (350 p.)Description based upon print version of record.0-19-515197-6 0-19-987038-1 Includes bibliographical references (p. [313]-324) and index.Operatic enlightenment in Die Zauberflöte -- Recognition scenes in theory and practice -- Reading opera for the plot -- Sentimental knowledge in La finta giardiniera -- Recognition denied in Don Giovanni -- Sense and sensibility in Cosi fan tutte -- Fiordiligi : a woman of feeling -- The sense of the ending in La clemenza di Tito.'Recognition in Mozart's Operas' is a thoughful treatise that uses both literary and musicological methods to illuminate some of Mozart's best-loved operas. Waldoff argues that, rather than offering the simple happy endings or tragic climaxes of 'easier' operas, many of Mozart's work features scenes of recognition-moments.Opera18th centuryElectronic books.Opera782.1/092Waldoff Jessica Pauline1964-988103MiAaPQMiAaPQMiAaPQBOOK9910465828603321Recognition in Mozart's operas2259524UNINA