02903nam 2200709Ia 450 991046581920332120200520144314.00-19-516946-897866104701430-19-535381-11-280-47014-31-4237-5977-X1-60256-220-2(CKB)2560000000296416(EBL)3052064(OCoLC)922952756(SSID)ssj0000086818(PQKBManifestationID)11119378(PQKBTitleCode)TC0000086818(PQKBWorkID)10051155(PQKB)10128364(SSID)ssj0001144749(PQKBManifestationID)12492732(PQKBTitleCode)TC0001144749(PQKBWorkID)11115702(PQKB)10255909(StDuBDS)EDZ0000073219(MiAaPQ)EBC3052064(MiAaPQ)EBC271452(Au-PeEL)EBL3052064(CaPaEBR)ebr10142332(CaONFJC)MIL47014(Au-PeEL)EBL271452(OCoLC)826492286(EXLCZ)99256000000029641619980223d1999 uy 0engur|||||||||||txtccrFantasy pieces[electronic resource] metrical dissonance in the music of Robert Schumann /Harald KrebsNew York Oxford University Press19991 online resource (305 p.)Description based upon print version of record.0-19-511623-2 0-19-987130-2 Includes bibliographical references (p. 275-281), glossary, list of cited works, and index.Nineteenth- and twentieth-century theories of metrical conflict -- Metrical consonance and dissonance : definitions and taxonomy -- Intermezzo I: Influences on Schumann's metrical style -- Metrical progressions and processes -- Intermezzo II: Metrical revisions -- Interactions of metrical dissonance with pitch structure, form, nd extramusical elements -- Intermezzo III: Performing metrical dissonances -- Carnaval des analyses -- Epilogue: Morning song.This volume presents a theory of metrical conflict and applies it to the music of Robert Schumann, thereby placing that composer's distinctive metrical style in focus. Krebs describes categories of metrical conflict that characterize the music of Schumann and studies the interaction of metrical conflict with form, pitch structure, and text.Musical meter and rhythmElectronic books.Musical meter and rhythm.781.2/26/092Krebs Harald1955-950825MiAaPQMiAaPQMiAaPQBOOK9910465819203321Fantasy pieces2443877UNINA