02769nam 2200601Ia 450 991046571400332120200520144314.01-283-97019-81-78042-979-7(CKB)2560000000082434(EBL)915216(OCoLC)793996522(SSID)ssj0000660867(PQKBManifestationID)12284897(PQKBTitleCode)TC0000660867(PQKBWorkID)10709224(PQKB)10483861(MiAaPQ)EBC915216(PPN)18762643X(Au-PeEL)EBL915216(CaPaEBR)ebr10622130(CaONFJC)MIL428269(EXLCZ)99256000000008243420060107d2006 uy 0engur|n|---|||||txtccrAndrea Mantegna and the Italian Renaissance[electronic resource] /Joseph MancaNew York Parkstonec20061 online resource (208 p.)Temporis collectionDescription based upon print version of record.1-85995-012-4 Includes bibliographical references.Contents; Mantegna as Artistic Revolutionary; The Debut of a Prodigy: Mantegna's Earlyyears in Padua; Mantegna as Court Painter in Mantua; Piety and Passion in Mantegna's LaterReligious Works; The "Triumphs of Caesar" and Other Visions of Antiquity; Mantegna and the Art of Printmaking; Patroness and Painter: The "Studiolo" of Isabella d'Este; Mantegna's Place in History; Notes; Bibliography; List of IllustrationsMantegna was born in 1431. He trained in painting at the Padua School where Donatello and Paolo Uccello had previously attended. Even at a young age commissions for Andrea's work flooded in, for example the frescoes of the Ovetari Chapel of Padua.In a short space of time Mantegna found his niche as a modernist due to his highly original ideas; the use of perspective in his works. His marriage with Nicolosia Bellini, the sister of Giovanni, paved the way for his entree into Venice.Mantegna reached an artistic maturity with his altarpiece of Pala San Zeno. He remained in Mantua and became the arTemporisMural painting and decoration, RenaissanceItalyArt, RenaissanceItalyElectronic books.Mural painting and decoration, RenaissanceArt, Renaissance759.5Manca Joseph1956-724886MiAaPQMiAaPQMiAaPQBOOK9910465714003321Andrea Mantegna and the Italian Renaissance2107559UNINA