02783nam 2200649 450 991046547410332120220209014113.00-8047-9228-310.1515/9780804792288(CKB)3710000000214100(SSID)ssj0001291416(PQKBManifestationID)11837148(PQKBTitleCode)TC0001291416(PQKBWorkID)11246728(PQKB)11734382(StDuBDS)EDZ0000986025(MiAaPQ)EBC1770083(DE-B1597)563645(DE-B1597)9780804792288(Au-PeEL)EBL1770083(CaPaEBR)ebr10904655(OCoLC)923709228(OCoLC)1198929947(EXLCZ)99371000000021410020140815h20142014 uy 0engur|||||||||||txtccrPoetic force poetry after Kant /Kevin McLaughlinStanford, California :Stanford University Press,2014.©20141 online resourceMeridian. Crossing AestheticsBibliographic Level Mode of Issuance: Monograph0-8047-9100-7 Includes bibliographical references and index.Front matter --Contents --Preface: Poetic Force --Acknowledgments --Translations and Abbreviations --§1. Ur-ability --§2. Hölderlin’s Peace --§3. Poetic Reason of State --§4. Arnold’s Resignation --Epilogue --Notes --Bibliography --IndexThis book argues that the theory of force elaborated in Immanuel Kant's aesthetics is of decisive importance to poetry in the 19th century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential 19th century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold.Meridian (Stanford, Calif.)Poetry, Modern19th centuryHistory and criticismAesthetics, Modern20th centuryPhilosophy, Modern20th centuryElectronic books.Poetry, ModernHistory and criticism.Aesthetics, ModernPhilosophy, Modern808.1McLaughlin Kevin1959-1031457MiAaPQMiAaPQMiAaPQBOOK9910465474103321Poetic force2458636UNINA