04975nam 2200721Ia 450 991046537250332120200520144314.00-19-818681-9978661076673497866113415961-280-76673-51-281-34159-20-19-922972-4(CKB)2560000000295989(EBL)431297(OCoLC)429918456(SSID)ssj0000308011(PQKBManifestationID)12048927(PQKBTitleCode)TC0000308011(PQKBWorkID)10251204(PQKB)10562731(StDuBDS)EDZ0000023506(MiAaPQ)EBC431297(MiAaPQ)EBC5121581(Au-PeEL)EBL431297(CaPaEBR)ebr10229927(CaONFJC)MIL76673(Au-PeEL)EBL5121581(CaONFJC)MIL134159(EXLCZ)99256000000029598920000104d2007 uy 0engur|n|---|||||txtccrRehearsal from Shakespeare to Sheridan[electronic resource] /Tiffany SternOxford [UK] Oxford University Press20071 online resource (350 p.)Description based upon print version of record.0-19-156718-3 0-19-169636-6 Includes bibliographical references and index.Contents; Conventions and References; Abbreviations; 1. INTRODUCTION; 2. REHEARSAL IN THE THEATRES OF PETER QUINCE AND BEN JONSON; Rehearsal Lexically; Background; Provincial Rehearsal; Mayors' rehearsals; How plays were prepared; Academic Rehearsal; 3. REHEARSAL IN SHAKESPEARE'S THEATRE; Background; Master of the Revels' Rehearsal; Preparing a Play for the Stage; Number of days to produce a play; Reading; Parts and study; Pronunciation and gesture; The group rehearsal; Time of group rehearsal; Place of general and partial rehearsals; Rehearsal, Writing, and RevisionThe book-holder (prompter)The manager; The author; The Nature of Performance; Book-holders in performance; Actors and parts in performance; First performance; First performance and the audience; Conclusion; The Future of the Renaissance Theatre; 4. REHFARSAL IN BETTERTON'S THEATRE; Background; Restoration Theatre Companies; The Authority of Buckingham's The Rehearsal; Public Theatre Rehearsal; Seasonal rehearsal; Number of days to produce a play; Reading; Parts; Lines'; Study; Pronunciation and gesture; Actor-training and rehearsal; Composers, authors, and individual rehearsalGroup RehearsalAuthors and rehearsal; Managers and rehearsal; Prompters and rehearsal; The Master of the Revels as reviser; Performance; Actors and performance; Actors and extemporization; Prompter and performance; The first night; Conclusion; 5. REHEARSAL IN CIBBER'S THEATRE; Introduction; Background; Public Theatre Rehearsal; Rehearsal plays and rehearsal; Number of days to produce a play; Actor training; Reading; Casts and parts; Study; Group Rehearsal; Nature of rehearsal; Prompters and rehearsal; Authors and rehearsal; Managers and rehearsal; Actors and rehearsal; PerformanceThe prompter and performanceConclusion; The first-night audience; The author and the text; 6. REHEARSAL IN GARRICK'S THEATRE- AND LATER; Background; Rehearsal Plays; Public Theatre Rehearsal; Number of rehearsals; Reading; Parts; Garrick, Macklin, and instruction; The content of rehearsal; Authors and rehearsal; Managers and rehearsal; Prompters and rehearsal; Performance; Actors in performance; Actors and extemporization; First performance; Part-based revision; Conclusion; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; ZAttention is often given to the performance of a text, but not to the shaping process behind that performance. This is the first history of the subject, from the sixteenth century to the eighteenth. It examines the nature and changing content of rehearsal, drawing on a mass of autobiographical, textual, and journalistic sources. - ;Attention is often given to the performance of a text, but not to the shaping process behind that performance. The question of rehearsal is seldom confronted directly, though important textual moments - like revision - are often attributed to it. Whatismore, up untiTheater rehearsalsEnglandHistoryEnglish dramaHistory and criticismElectronic books.Theater rehearsalsHistory.English dramaHistory and criticism.792.028792/.028Stern Tiffany604967MiAaPQMiAaPQMiAaPQBOOK9910465372503321Rehearsal from Shakespeare to Sheridan1118780UNINA