02816oam 2200613I 450 991046456000332120200520144314.01-136-85411-81-136-85418-51-315-02886-710.4324/9781315028866 (CKB)3710000000056165(EBL)1542605(OCoLC)863823395(SSID)ssj0001047619(PQKBManifestationID)12487066(PQKBTitleCode)TC0001047619(PQKBWorkID)11157889(PQKB)11617983(MiAaPQ)EBC1542605(Au-PeEL)EBL1542605(CaPaEBR)ebr10799121(CaONFJC)MIL762116(OCoLC)863157673(EXLCZ)99371000000005616520180706d2003 uy 0engur|n|---|||||txtccrPerspectives on Persian painting to Amir Khusrau's Khamsah /Barbara BrendLondon ;New York :RoutledgeCurzon,2003.1 online resource (369 p.)Description based upon print version of record.1-138-97833-7 0-7007-1467-7 Includes bibliographical references (pages 307-317) and index.1. The Khamsah in summary -- 2. Manuscripts of western Iran prior to the death of Shah Rukh -- 3. Sultanate manuscripts -- 4. Manuscripts in Turkman styles -- 5. Ottoman manuscripts under Bayezid II -- 6. Classical and sub-classical styles of Herat -- 7. Mughal manuscripts to the period of Jahangir.This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century,Illumination of books and manuscripts, IranianIslamic illumination of books and manuscriptsIranElectronic books.Illumination of books and manuscripts, Iranian.Islamic illumination of books and manuscripts745.6/7/0955Brend Barbara1940-638661MiAaPQMiAaPQMiAaPQBOOK9910464560003321Perspectives on Persian painting to Amir Khusrau's Khamsah2052157UNINA