02702nam 2200625 a 450 991046428850332120210622031339.01-282-76289-397866127628950-520-93711-210.1525/9780520937116(CKB)3390000000006973(EBL)837170(OCoLC)773564888(SSID)ssj0000444782(PQKBManifestationID)11293206(PQKBTitleCode)TC0000444782(PQKBWorkID)10482009(PQKB)11326551(MiAaPQ)EBC837170(DE-B1597)520981(OCoLC)1114790967(DE-B1597)9780520937116(Au-PeEL)EBL837170(CaPaEBR)ebr10676266(CaONFJC)MIL276289(EXLCZ)99339000000000697320020925d2003 uy 0engurnn#---|u||utxtccrWhy, why not[electronic resource] /Martha RonkBerkeley University of California Press20031 online resource (101 p.)New California poetry ;v. 8Description based upon print version of record.0-520-23623-8 0-520-23811-7 Front matter --Contents --1. Perplexities --2. Why Knowing Is --3. Why/Why Not --AcknowledgmentsWhy/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncanny? These questions are captured in lines that collide and merge, in irreverent and offhand jibes, and in plaintive repetitions.Why/Why Not moves across a vivid terrain-the stage of Hamlet, Phillip Marlowe's Los Angeles, Prague, paintings and gardens-to push through a tangle of ways to make sense of the world. Martha Ronk's poetic language is that of the everyday slightly skewed, as if pieces of an ordinary sentence were missing. Ronk's poems use the repetitive and the banal to explore ways in which language is intertwined with thought and experience.New California poetry ;v. 8.American poetry21st centuryElectronic books.American poetry811/.54Ronk Martha Clare1043884MiAaPQMiAaPQMiAaPQBOOK9910464288503321Why, why not2469164UNINA