02488oam 2200601I 450 991046423150332120170816153456.01-135-49327-80-203-95934-51-135-49320-010.4324/9780203959343 (CKB)2670000000518625(EBL)1619075(SSID)ssj0001108072(PQKBManifestationID)12482317(PQKBTitleCode)TC0001108072(PQKBWorkID)11085783(PQKB)11107217(OCoLC)874173191(MiAaPQ)EBC1619075(OCoLC)870272348(EXLCZ)99267000000051862520180706d2006 uy 0engur|n|---|||||txtccrDepression glass documentary photography and the medium of the camera-eye in Charles Reznikoff, George Oppen, and William Carlos Williams /Monique Claire VesciaNew York :Routledge,2006.1 online resource (175 p.)Literary criticism and cultural theoryDescription based upon print version of record.1-138-81253-6 0-415-97547-6 Includes bibliographical references and index.Cover; Literary Criticism andCultural Theory; Title Page; Copyright Page; Dedication; Table of Contents; List of Figures; Acknowledgments; Permissions; Preface; Introduction; Chapter One The Poem in a Climate of Fact; Chapter Two Documentary Matters: Charles Reznikoff's 1934 Testimony; Chapter Three The Lyrical Apertures of George Oppen's Discrete Series; Chapter Four Machines for Seeing: William Carlos Williams's Collected Poems 1921-1931; Notes; Bibliography; IndexFirst Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.Literary Criticism and Cultural TheoryAmerican poetry20th centuryHistory and criticismLiterature and photographyUnited StatesHistory20th centuryElectronic books.American poetryHistory and criticism.Literature and photographyHistory811/.520912Vescia Monique.860383MiAaPQMiAaPQMiAaPQBOOK9910464231503321Depression glass1919709UNINA