02458nam 22004453u 450 991046418610332120210111181609.00-8173-8692-0(CKB)3710000000098982(EBL)1679075(MiAaPQ)EBC1679075(EXLCZ)99371000000009898220140428d2013|||| u|| |engDigital Poetics[electronic resource] Hypertext, Visual-Kinetic Text and Writing in Programmable MediaTuscaloosa University of Alabama Press20131 online resource (226 p.)Modern and Contemporary PoeticsDescription based upon print version of record.0-8173-1074-6 Contents; Acknowledgments; Introduction: Language as Transmission; Sidebar: On Techne; 1. Jumping to Occlusions: A Manifesto for Digital Poetics; 2. Our Words; Sidebar: The "I" in "Internet"; 3. Home, Haunt, Page; 4. The Intermedial: A Treatise; 5. Hypertext/Hyperpoeisis/Hyperpoetics; 6. Coding Writing, Reading Code; Sidebar: On Mouseover; 7. E-poetries: A Lab Book of Digital Practice, 1970-2001; 8. Future Tenses/Present Tensions: A Prospectus for E-poetry; Sidebar: Tin Man Weeps Straw Break; Epilogue. Between the Academy and a Hard Drive: An E-cology of Innovative Practice; Notes; GlossaryWorks Cited IndexIn this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Pequeño Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contextsModern and Contemporary PoeticsArt and the InternetPoeticsVisual kineticsElectronic books.Art and the Internet.Poetics.Visual kinetics.802.85Glazier Loss Pequeño1052549AU-PeELAU-PeELAU-PeELBOOK9910464186103321Digital Poetics2483917UNINA