02681nam 2200601 a 450 991046375300332120200520144314.00-292-74747-0(CKB)3170000000060204(EBL)3443682(SSID)ssj0000981085(PQKBManifestationID)11549508(PQKBTitleCode)TC0000981085(PQKBWorkID)10969893(PQKB)10416408(MiAaPQ)EBC3443682(OCoLC)856934352(MdBmJHUP)muse25090(Au-PeEL)EBL3443682(CaPaEBR)ebr10747514(EXLCZ)99317000000006020420121221d2013 uy 0engur|n|---|||||txtccrJohn Wayne's world[electronic resource] transnational masculinity in the fifties /by Russell Meeuf1st ed.Austin University of Texas Press20131 online resource (224 p.)Description based upon print version of record.0-292-74746-2 Includes bibliographical references and index.Introduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.Motion picture industryUnited StatesHistory20th centuryMasculinity in motion picturesMotion pictures and globalizationNineteen fiftiesElectronic books.Motion picture industryHistoryMasculinity in motion pictures.Motion pictures and globalization.Nineteen fifties.791.4302/8092Meeuf Russell1981-876503MiAaPQMiAaPQMiAaPQBOOK9910463753003321John Wayne's world1957216UNINA