02442nam 22005651 450 991046374540332120200520144314.00-292-74775-6(CKB)3170000000060206(EBL)3443694(SSID)ssj0001000706(PQKBManifestationID)11537167(PQKBTitleCode)TC0001000706(PQKBWorkID)10960731(PQKB)10063609(MiAaPQ)EBC3443694(OCoLC)859154950(MdBmJHUP)muse25063(Au-PeEL)EBL3443694(CaPaEBR)ebr10768927(OCoLC)899045091(EXLCZ)99317000000006020620130227d2013 ub 0engur|n|---|||||txtccrTheorizing art cinemas foreign, cult, avant-garde, and beyond /by David AndrewsFirst edition.Austin :University of Texas Press,2013.1 online resource (310 p.)Description based upon print version of record.0-292-74774-8 Includes bibliographical references and index.Introduction: correcting art cinema's partial vision -- pt. 1. art, auteurism, and the world -- art as genre as canon: defining "art cinema" -- no start, no end: auteurism and the auteur theory -- from "foreign films" to "world cinema" -- pt. 2. formats and fetishes -- recovery and legitimation in the traditional art film -- losing the asterisk: a theory of cult-art cinema -- revisiting "the two avant-gardes" -- sucking the mainstream: a theory of mainstream art cinema -- pt. 3. institutions and distributions -- re-integrating stardom ( . . . or technology or reception or . . . ) -- art cinema as institution, redux: art houses, film festivals, and film studies -- art cinema, the distribution theory -- epilogue. beyond, before cinephilia.Avant-garde (Aesthetics)Experimental filmsHistory and criticismElectronic books.Avant-garde (Aesthetics)Experimental filmsHistory and criticism.791.43/611Andrews David1970-861596MiAaPQMiAaPQMiAaPQBOOK9910463745403321Theorizing art cinemas1922704UNINA