04828nam 2200757Ia 450 991046351230332120211007235532.01-282-93434-197866129343463-11-023774-110.1515/9783110237740(CKB)3220000000000243(EBL)669184(OCoLC)707068899(SSID)ssj0000438253(PQKBManifestationID)11925726(PQKBTitleCode)TC0000438253(PQKBWorkID)10452202(PQKB)10021949(MiAaPQ)EBC669184(DE-B1597)122482(OCoLC)698590681(OCoLC)772682212(DE-B1597)9783110237740(Au-PeEL)EBL669184(CaPaEBR)ebr10435662(CaONFJC)MIL293434(EXLCZ)99322000000000024320100923d2010 uy 0engur||#||||||||txtccrIntermediality and storytelling[electronic resource] /edited by Marina Grishakova, Marie-Laure RyanNew York De Gruyter20101 online resource (359 p.)Narratologia. contributions to narrative theory ;24Includes index.3-11-023773-3 Front matter --Contents --Editors' preface --Fiction, Cognition, and Non-Verbal Media /Ryan, Marie-Laure --Narrativity and Segmentivity, or, Poetry in the Gutter /Mchale, Brian --Vulgar Metaphysicians: William S. Burroughs, Alan Moore, Art Spiegelman, and the Medium of the Book /Kuskin, William --Previously On: Prime Time Serials and the Mechanics of Memory /Mittell, Jason --The Paranoid Style in Narrative: The Anxiety of Storytelling After 9/11 /Cobley, Paul --Inter-Action Movies: Multi-Protagonist Films and Relationism /Israel, Samuel Ben --All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative /Hansen, Per Krogh --Photo Narrative, Sequential Photography, Photonovels /Baetens, Jan / Bleyen, Mieke --The Failure of Art: Problems of Verbal and Visual Representation in Let Us Now Praise Famous Men /Lehtimäki, Markku --Interactivity and Interaction: Text and Talk in Online Communities /Page, Ruth --Games of Interpretation and a Graphophiliac God of War /Ciccoricco, David --Advertising the Medium: On the Narrative Worlds of a Multimedia Promotional Campaign for a Public Service Television Channel /Freitas, Elsa Simões Lucas --The Narrative Worlds and Multimodal Figures of House of Leaves: "- find your own words; I have no more" /Gibbons, Alison --Intermedial Metarepresentations /Grishakova, Marina --Back matterThe 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media.NarratologiaDigital mediaInfluenceDiscourse analysis, NarrativeIntermedialityMass media and the artsMass mediaNarration (Rhetoric)Electronic books.Digital mediaInfluence.Discourse analysis, Narrative.Intermediality.Mass media and the arts.Mass media.Narration (Rhetoric)302.23Grishakova Marina801844Ryan Marie-Laure1946-610111MiAaPQMiAaPQMiAaPQBOOK9910463512303321Intermediality and storytelling2483220UNINA