04257nam 2200733 450 991046348470332120200520144314.01-4426-6747-810.3138/9781442667471(CKB)2670000000545810(EBL)3291043(SSID)ssj0001130232(PQKBManifestationID)12456795(PQKBTitleCode)TC0001130232(PQKBWorkID)11085474(PQKB)11347238(CEL)447188(OCoLC)872601453(CaBNVSL)slc00234081(MiAaPQ)EBC3291043(MiAaPQ)EBC4669935(DE-B1597)465448(OCoLC)870181162(DE-B1597)9781442667471(Au-PeEL)EBL4669935(CaPaEBR)ebr11256449(EXLCZ)99267000000054581020160913h20142014 uy 0engur|n|---|||||txtccrFair copies reproducing the English lyric from Tottel to Shakespeare /Matthew ZarnowieckiToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2014.©20141 online resource (248 p.)1-4426-4718-3 Includes bibliographical references and index.Frontmatter -- Contents -- Illustrations -- Acknowledgments -- A Note on the Text -- Introduction -- 1. The “vnquiet state” of the Lover: Richard Tottel’s Lyric and Legal Reproductions -- 2. “Nedelesse Singularitie”: George Gascoigne’s Strategies for Preserving Lyric Delight -- 3. Solitude, Poetic Community, and Lyric Recording in Spenser’s Shepheardes Calender and Colin Clovts Come home againe -- 4. Lyric Surrogacy: Reproducing the “I” in Sidney’s Arcadia -- 5. “All Men Make Faults”: Begetting Error in Shake-speares Sonnets -- Coda: The End of Shake-speares Sonnets -- Notes -- Works Cited -- Index In the latter half of the sixteenth century, English poets and printers experimented widely with a new literary format, the printed collection of lyric poetry. They not only investigated the possibilities of working with a new medium, but also wrote metaphors of human reproduction directly into their works. In Fair Copies, Matthew Zarnowiecki argues that poetic production was re-envisioned during this period, which was rife with models of copying and imitation, to include reproduction as one of its inherent attributes.Tracing the development of the English lyric during this crucial period, Fair Copies incorporates a diverse range of cultural productions and reproductions – from key poetic texts by Shakespeare, Sidney, Spenser, Gascoigne, and Tottel to legal breviaries, visual representations of song, midwives’ manuals, and commonplace books. Also included are fifteen facsimile reproductions of poems in early printed books, with explanations and discussions of their importance. Calling upon these diverse sources, and examining lyric poems in their earliest manuscript and printed contexts, Zarnowiecki develops a new, reproductively centred method of reading early modern English lyric poetry.English poetryEarly modern, 1500-1700Criticism, TextualEnglish poetryEarly modern, 1500-1700ManuscriptsLyric poetryHistory and criticismTransmission of textsEnglandHistory16th centuryPrintingEnglandHistory16th centuryEarly printed booksEngland16th centuryEnglandIntellectual life16th centuryElectronic books.English poetryCriticism, Textual.English poetryManuscripts.Lyric poetryHistory and criticism.Transmission of textsHistoryPrintingHistoryEarly printed books821/.040903Zarnowiecki Matthew1975-985887MiAaPQMiAaPQMiAaPQBOOK9910463484703321Fair copies2253416UNINA