03343nam 2200601 450 991046337070332120200520144314.01-4411-5562-7(CKB)3230000000213969(StDuBDS)AH25461357(SSID)ssj0001196819(PQKBManifestationID)12520121(PQKBTitleCode)TC0001196819(PQKBWorkID)11167081(PQKB)11288487(MiAaPQ)EBC1751443(Au-PeEL)EBL1751443(CaPaEBR)ebr10867490(CaONFJC)MIL615739(OCoLC)893331598(EXLCZ)99323000000021396920140514h20122012 uy 0engur|||||||||||txtccrDeleuze and film a feminist introduction /Teresa RizzoLondon, England ;New York :Continuum,2012.©20121 online resource (195 p.) Bibliographic Level Mode of Issuance: Monograph1-4411-1340-1 Includes bibliographical references and index.Acknowledgements \ Introduction \ 1. The Cinematic Apparatus and the Transcendental Subject \ 2. Re-thinking Representation: New Lines of Thought in Feminist Philosophy \ 3. Cinematic Assemblages: An Ethological Approach to Film-viewing \ 4. The Slasher Film: A Deleuzian Feminist Analysis \ 5. The Alien Series: Alien-Becomings, Human-Becomings \ 6. The Molecular Poetics of the Assemblage: Before Night Falls \ Conclusion: A Feminist Cinematic Assemblage \ Notes \ Bibliography \ IndexThis volume proposes a new way of thinking about cinematic viewing by exploring it as a bodily and emotional experience. It introduces Gilles Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer.In the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze's books on Cinema, Rizzo's work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a aecinematic assemblage', the book focuses on affective and intensive connections between film and viewer. Through a careful analysis of a range of film texts and genres that have been important to feminist film scholarship, such as the Alien series and the modern horror film, Rizzo puts Deleuze's key concepts to work in exciting new ways.Feminism and motion picturesFeminist film criticismMotion picturesPhilosophyElectronic books.Feminism and motion pictures.Feminist film criticism.Motion picturesPhilosophy.791.43/6522Rizzo Teresa1056414MiAaPQMiAaPQMiAaPQBOOK9910463370703321Deleuze and film2490751UNINA