03927nam 2200601 450 991046366170332120200520144314.01-4983-6727-51-4983-8861-21-4983-9202-4(CKB)2670000000570283(EBL)1811562(SSID)ssj0001398964(PQKBManifestationID)11891175(PQKBTitleCode)TC0001398964(PQKBWorkID)11447053(PQKB)10885519(MiAaPQ)EBC1811562(Au-PeEL)EBL1811562(CaPaEBR)ebr10951293(CaONFJC)MIL649358(OCoLC)880531092(EXLCZ)99267000000057028320141017h20142014 uy 0engur|n|---|||||txtccrChad request for a three-year arrangement under the extended credit facility-staff report; press release; and statement by the executive director for Chad /International Monetary FundWashington, District of Columbia :International Monetary Fund,2014.©20141 online resource (95 p.)IMF Country Report ;Number 14/282Description based upon print version of record.1-4983-2451-7 1-322-18094-6 Cover; Contents; BACKGROUND; RECENT ECONOMIC DEVELOPMENTS; FIGURES; 1. Recent Economic Developments, 2008-2014; PERFORMANCE UNDER THE STAFF-MONITORED PROGRAM; MACROECONOMIC STABILITY AND SUSTAINED NON-OIL GROWTH: POLICIES UNDER A THREE-YEAR ECF ARRANGEMENT; A. Justification and Main Objectives; B. Medium-Term Macroeconomic and Fiscal Frameworks; BOXES; 1. The State's Purchase of Chevron's Shares: Fiscal and Institutional Implications; 2. Oil Sector Prospects and the Impact on Fiscal Revenues; C. Fiscal Reforms in Support of Program ObjectivesD. Additional Reforms Aimed at Reinforcing an Inclusive and Sustainable Economic GrowthE. Reaching the HIPC Completion Point; PROGRAM MODALITIES, SAFEGUARDS, AND RISKS; STAFF APPRAISAL; TABLES; 1. Selected Economic and Financial Indicators, 2010-17; 2. Real GDP per sector, 2010-17; 3. Fiscal Operations of the Central Government, 2010-17; 4. Fiscal Operations of the Central Government, 2010-17; 5. Balance of Payments, 2010-17; 6. Monetary Survey, 2009-17; 7. Financial Soundness Indicators, 2007-12; 8. Key Reforms and Objectives to be Achieved Before the Completion Point9. SMP Quantitative Indicators, June 1 to December 31, 201310. Structural Conditionality Under the SMP; 11. Proposed Schedule of Disbursements Under the ECF Arrangement, 2014-17; 12. Indicators of Capacity to Repay the Fund, 2014-25; 13. Multi-year Fiscal Structural Reforms; APPENDICE; I. Letter of Intent; Attachment I. Memorandum of Economic and Financial Policies; Attachment II. Technical Memorandum of UnderstandingKEY ISSUESContext: Chad is a fragile country with weak institutional capacity that needs to manage volatile and exhaustible oil revenues prudently to tackle its large development needs.Chad is enjoying a period of domestic political stability, but major regional security issues are imposing significant fiscal costs in both the short and medium term.Macroeconomic policy over the last few years has achieved a gradual tightening of the underlying fiscal policy stance together with a sizable increase in public investment.Satisfactory performance under an SMP in 2013 demonstrated the authorities'' IMF country report ;Number 14/282.ChadEconomic conditionsChadEconomic policyElectronic books.335.96743MiAaPQMiAaPQMiAaPQBOOK9910463661703321Chad2074238UNINA05182nam 22006131c 450 991046335980332120200115203623.01-4725-4043-31-4725-1978-71-4725-1977-910.5040/9781472540430(CKB)2670000000419645(EBL)1394940(OCoLC)858763558(SSID)ssj0001000705(PQKBManifestationID)12449517(PQKBTitleCode)TC0001000705(PQKBWorkID)10951253(PQKB)10237486(MiAaPQ)EBC1394940(OCoLC)760087636(UtOrBLW)bpp09255509(EXLCZ)99267000000041964520140929d2010 uy 0engur|n|---|||||txtccrTheorising performance Greek drama, cultural history and critical practice edited by Edith Hall & Stephe HarropLondon Duckworth 2010.1 online resource (320 p.)"Inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford"--Page 4 of cover0-7156-3826-2 Includes bibliographical references and indexTowards a theory of performance reception /Edith Hall --Performance as event :reception as transformation /Erika Fischer-Lichte --Greek and Shakespearean plays in performance :their different academic receptions /David Wiles --Cultural history and aesthetics :why Kant is no place to start reception studies /Simon Goldhill --Performance, reception, aesthetics :or why reception studies need Kant /Charles Martindale --From à la carte to convergence :symptoms of interdisciplinarity in reception theory /Zachary Dunbar --Archiving events, performing documents :on the seductions and challenges of performance archives /Pantelis Michelakis --Bringing together nature and culture :on the uses and limits of cognitive science for the study of performance reception /Felix Budelmann --Does a Deleuzean philosophy of radical physicality lead to the 'death of tragedy'? :some thoughts on the dismissal of the climactic orientation of Greek tragedy /Freddy Decreus --Generic ambiguity in modern productions and new versions of Greek tragedy /Helene Foley --Revising 'authenticity' in staging ancient Mediterranean drama /Mary-Kay Gamel --Towards theorising the place of costume in performance reception /Rosie Wyles --Performance reception and the 'textual twist' :towards a theory of literary reception /Simon Perris --Negotiating translation for the stage /Lorna Hardwick --From translation to performance reception :the death of the author and the performance text /Eleftheria Ionnidou --Acting perspectives :the phenomenology of performance as a route to reception /Jane Montgomery Griffiths --Physical performance and the languages of translation /Stephe Harrop --'Spatial poetics' and Greek drama :scenography as reception /Paul Monaghan --Translating Greek drama for performance /Blake MorrisonThis collection provides an analysis of the modern performance of ancient Greek drama from a theoretical perspectiveThis exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - "Sophocles", "Oedipus", "Euripides", and "Medea" - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alikeTheorizing performanceGreek dramaModern presentationCongressesLiterary studies: classical, early & medievalGreek dramaHistory and criticismCongressesGreek dramaModern presentationGreek dramaHistory and criticism882.0109Hall Edith1959-Harrop StepheUtOrBLWUtOrBLWUkLoBPBOOK9910463359803321Theorising performance2118333UNINA