02732nam 2200589 a 450 991046318390332120200520144314.01-61703-894-61-62846-636-71-62103-982-X(CKB)2670000000391314(StDuBDS)EDZ0000203642(MiAaPQ)EBC1181931(OCoLC)828334142(MdBmJHUP)muse28608(MiAaPQ)EBC4977730(Au-PeEL)EBL1181931(CaPaEBR)ebr10733951(CaONFJC)MIL838054(Au-PeEL)EBL4977730(CaONFJC)MIL505035(OCoLC)1024284068(EXLCZ)99267000000039131420130719d2013 uy 0engur|||||||||||rdacontentrdacontentrdamediardacarrierStanley Kubrick[electronic resource] adapting the sublime /Elisa PezzottaJackson University Press of Mississippi20131 online resource (x, 230 pages) illustrations (black and white)1-61703-893-8 1-57806-297-7 Includes bibliographical references, filmography and index.Introduction -- A history of Kubrick adaptations -- Plot construction: ellipses and enigmas of unrelated -- Scenes -- Plot construction: a chaotic geometry -- Music, dance, and dialogue -- Dreamy worlds -- Artificiality, modernism, and the sublime -- Conclusion.Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since '2001: A Space Odyssey' (1968), they seem to exploit definitively all cinematic techniques, embodying a compelling visual and aural experience. But, as the author of this book contends, it is for these reasons that Kubrick's cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Pezzotta concludes that, unlike his predecessors, he creates a cinema not only centred on the ontology of the medium, but on the staging of sublime, new experiences.LiteratureAdaptationsHistory and criticismFilm adaptationsHistory and criticismElectronic books.LiteratureAdaptationsHistory and criticism.Film adaptationsHistory and criticism.791.43/0233/092Pezzotta Elisa1027082MiAaPQMiAaPQMiAaPQBOOK9910463183903321Stanley Kubrick2442338UNINA