02713nam 2200541 a 450 991046280130332120200520144314.00-8108-8405-4(CKB)2670000000385911(EBL)1222042(OCoLC)852158889(SSID)ssj0000916201(PQKBManifestationID)12405654(PQKBTitleCode)TC0000916201(PQKBWorkID)10876047(PQKB)11430486(MiAaPQ)EBC1222042(Au-PeEL)EBL1222042(CaPaEBR)ebr10725931(CaONFJC)MIL500110(EXLCZ)99267000000038591120130710d2013 uy 0engur|n|---|||||txtccrPhilosophizing rock performace[electronic resource]Dylan, Hendrix, Bowie /Wade HollingshausLanham, Md. Scarecrow Pressc20131 online resource (205 p.)Description based upon print version of record.1-299-68860-8 0-8108-8404-6 Includes bibliographical references and index.Contents; Acknowledgments; Introduction; Bob Dylan and the Gestures of Youth; Dylan and the Gesture of Protest; The Sound of the Future: Dylan at Newport, 1965; The Life and Electrocution of Jimi Hendrix; The Electromagnetic Imaginary: Enlightenment, the Progressive Era, and Jimi Hendrix; The Electric Church and "The Flow That Goes Through the Music"; Voltage Breakdown: Hendrix Is Electrocuted; A Political Bowie; A Flux of Stuff: Bowie's Democratic Aesthetic; The Spectacle of an Authentic Alien: Bowie's Political Dissensus; Conclusion; Notes; Bibliography; Index; About the AuthorIn Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques RanciRock musicHistory and criticismElectronic books.Rock musicHistory and criticism.781.6609Hollingshaus Wade J933888MiAaPQMiAaPQMiAaPQBOOK9910462801303321Philosophizing rock performace2102570UNINA