05869nam 22007212 450 991046275200332120151005020621.01-316-08850-21-139-56381-51-283-57512-41-139-02618-61-139-55050-097866138875731-139-55175-21-139-55546-41-139-54925-11-139-55421-2(CKB)2670000000234770(EBL)989183(OCoLC)821889743(SSID)ssj0000712003(PQKBManifestationID)11383278(PQKBTitleCode)TC0000712003(PQKBWorkID)10722083(PQKB)11769511(UkCbUP)CR9781139026185(MiAaPQ)EBC989183(Au-PeEL)EBL989183(CaPaEBR)ebr10591049(CaONFJC)MIL388757(EXLCZ)99267000000023477020110218d2012|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe world in the model how economists work and think /Mary S. Morgan[electronic resource]Cambridge :Cambridge University Press,2012.1 online resource (xvii, 421 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-17619-0 1-107-00297-4 Includes bibliographical references and index.Cover; THE WORLD IN THE MODEL; Title; Copyright; Dedication; Contents; Figures, Tables, and Boxes; Preface; 1 Modelling as a Method of Enquiry; PART I: CHANGING THE PRACTICE OF ECONOMIC SCIENCE; 1. From Laws to Models, From Words to Objects; 2. The Naturalization of Modelling in Economics; 3. Practical Reasoning Styles; 3.i Modelling as a Style of Reasoning; 3.ii Modelling as a Reasoning Style in Economics; PART II: MAKING MODELS, USING MODELS; 4. Making Models to Reason With: Forms, Rules, and Resources; 4.i Giving Form; 4.ii Becoming Formal; 4.iii Reasoning Resources5. Modelling as a Method of Enquiry: The World in the Model, Models of the World6. Conclusion; 2 Model-Making: New Recipes, Ingredients, and Integration; 1. Ricardo, the "Modern" Economist?; 2. Ricardo, His Economy, and the Economy of His Day; 2.i David Ricardo, Esq.; 2.ii Economics Matters, Experimental Farming Matters; 3. Constructing Ricardo's Numerical Model Farm and Questions of Distribution; 3.i The Numbers in Ricardo's Principles and Experimental Accounts; 3.ii The Spade-Husbandry Debate; 4. Ricardo's Model Farm and Model Farming; 4.i Three Model Farms in One4.ii A Model Farm that Worked According to Ricardo's Economic Ideas4.iii A Model of an Individual Farm in the Period; 4.iv A Model Farm for the Whole Agricultural Sector; 5. Model-Making: Creating New Recipes; 5.i Ingredients; 5.ii Fitting Things Together: Integration and Reasoning Possibilities; 3 Imagining and Imaging: Creating a New Model World; 1. Introduction; 2. Acts of Translation or a New Way of World-Making?; 3. Making the Mathematical Economic World in Models; 4. The Artist's Space versus the Economist's Space; 5. The History of the Edgeworth Box Diagram - as Told by Itself5.i Edgeworth's Imagination and Image5.ii Pareto's Imagination and Images; 6. The World Newly Made in the Model: Questions of Representation?; 6.i Visualization; 6.ii Newness; 7. Seeing the World in the Model; 8. Conclusion; 4 Character Making: Ideal Types, Idealization, and the Art of Caricature; 1. Introduction; 2. Characterizing Economic Man: Classical Economists' Homo Economicus; 3. Concept Forming: Weber's Ideal Types and Menger's Human Economy; 4. Symbolic Abstraction: Jevons' Calculating Man; 5. Exaggerating Qualities: Knight's Slot-Machine Man6. Making a Cartoon into a Role Model: Rational Economic Man7. The Art of Caricature and Processes of Idealization; 8. Model Man's CV: De-Idealization and the Changing Roles of Economic Man; 5 Metaphors and Analogies: Choosing the World of the Model; 1. From Metaphors to Analogical Models; 2. The Newlyn-Phillips Machine; 3. The Machine's Inventors: Walter Newlyn and Bill Phillips; 4. Inventing the Newlyn-Phillips Machine; Step 1: Phillips chooses the analogy for his supply/demand model (early 1949); Step 2: Newlyn designs the blueprint for a monetary circulation machine (Easter 1949)Step 3: Phillips and Newlyn build the prototype Machine (Summer 1949)During the last two centuries, the way economic science is done has changed radically: it has become a social science based on mathematical models in place of words. This book describes and analyses that change - both historically and philosophically - using a series of case studies to illuminate the nature and the implications of these changes. It is not a technical book; it is written for the intelligent person who wants to understand how economics works from the inside out. This book will be of interest to economists and science studies scholars (historians, sociologists and philosophers of science). But it also aims at a wider readership in the public intellectual sphere, building on the current interest in all things economic and on the recent failure of the so-called economic model, which has shaped our beliefs and the world we live in.EconomicsMathematical modelsEconomistsEconomicsMathematical models.Economists.330.01/5195Morgan Mary S.122965UkCbUPUkCbUPBOOK9910462752003321The world in the model2013911UNINA02516nam 2200601 450 991082875480332120230607215419.00-19-772807-31-280-48223-00-19-534863-X1-60256-932-0(CKB)1000000000029080(EBL)279672(OCoLC)171573326(SSID)ssj0000168937(PQKBManifestationID)11183844(PQKBTitleCode)TC0000168937(PQKBWorkID)10192940(PQKB)10034948(Au-PeEL)EBL4700582(CaPaEBR)ebr11272896(CaONFJC)MIL48223(OCoLC)59280649(MiAaPQ)EBC4700582(EXLCZ)99100000000002908020161011h20022002 uy 0engur|n|---|||||txtccrHarmonic rhythm analysis and interpretation /Joseph P. SwainNew York, New York :Oxford University Press,2002.©20021 online resource (214 p.)Description based upon print version of record.0-19-515087-2 Includes bibliographical references and index.CONTENTS; 1. INTRODUCTION; 2. THE RHYTHM OF THE TEXTURE; 3. PHENOMENAL HARMONIC RHYTHM; 4. BASS PITCH HARMONIC RHYTHM; 5. ROOT/QUALITY HARMONIC RHYTHM; 6. DENSITIES OF HARMONIC RHYTHM; 7. RHYTHM OF HARMONIC FUNCTIONS; 8. MATTERS OF INTERPRETATION; 9. THE SPEED OF HARMONIC RHYTHM; 10. INDEPENDENCE IN HARMONIC RHYTHM; 11. RHYTHMS OF NON-FUNCTIONAL HARMONY; 12. FIVE CRITICAL QUESTIONS; EPILOGUE; NOTES; BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; R; S; T; VThis title examines the dimensional technique of analyzing harmonic rhythm. Using a small core of repeated musical examples, Swain explores the theory's crucial components including functional and non functional harmonies, harmonic tension and harmonic speed. He also outlines a method for ""dimensional analysis"" of musical works.Harmonic analysis (Music)Musical meter and rhythmHarmonic analysis (Music)Musical meter and rhythm.781.2/56Swain Joseph Peter1662427MiAaPQMiAaPQMiAaPQBOOK9910828754803321Harmonic rhythm4019108UNINA