00986cam0 2200277 450 E60020003023320201116091605.0881504707720071012d1994 |||||ita|0103 baitaITPromemoriaLo sterminio degli ebrei d'Europa, 1939-1945in un resoconto di Ugo Varnai (1953) del libro The Final Solution di Gerald ReitlingerLuigi MeneghelloBolognaIl mulino1994105 p.ill.21 cmIntersezioni135001LAEC000155682001 *Intersezioni135Meneghello, LuigiA600200041090070158932ITUNISOB20201116RICAUNISOBUNISOB90083658E600200030233M 102 Monografia moderna SBNM900003028Si83658Acquistopregresso2UNISOBUNISOB20071012075749.020201116091605.0rovitoPromemoria236530UNISOB05535nam 2200721Ia 450 991046274600332120211005022244.01-78138-614-51-78138-907-11-84631-670-7(CKB)2670000000234765(EBL)1591015(SSID)ssj0000740518(PQKBManifestationID)11420252(PQKBTitleCode)TC0000740518(PQKBWorkID)10701754(PQKB)11400892(StDuBDS)EDZ0000127565(MiAaPQ)EBC867101(UkCbUP)CR9781781386149(Au-PeEL)EBL867101(CaPaEBR)ebr10591042(OCoLC)811488562(MiAaPQ)EBC1591015(Au-PeEL)EBL1591015(OCoLC)867929454(EXLCZ)99267000000023476520111102d2012 uy 0engur|n|---|||||txtccrArt and pluralism[electronic resource] Lawrence Alloway's cultural criticism /Nigel WhiteleyLiverpool Liverpool University Press20121 online resource (986 p.)Value art politics ;6Description based upon print version of record.1-84631-645-6 Includes bibliographical references and index.Cover; Half-title Page; Title Page; Copyright; Dedication; Contents; Acknowledgements; Section A: Introduction; 1. Alloway and pluralism; 2. Background; 3. The British art scene; 4. Early career; Section B: Continuum, 1952-1961; 1. Art criticism, 1951-1952; 2. The ICA in the early 1950s; 3. The Independent Group: aesthetic problems; 4. The Independent Group: popular culture; 5. Art criticism, 1953-; 6. Alloway and abstraction; 7. Alloway and figurative art; 8. This Is Tomorrow, 1956; 9. Information Theory; 10. Group 12 and Information Theory; 11. Science fiction12. The cultural continuum model13. Writings about the movies; 14. Graphics and advertising; 15. Design; 16. Architecture and the city; 17. Channel flows; 18. Art autre; 19. The human image; 20. Modern Art in the United States, 1956; 21. Action Painting; 22. First trip to the USA; 23. The New American Painting,; 24. Alloway and Greenberg; 25. Cold wars; 26. British art and the USA: The Middle Generation; 27. A younger generation and the avant-garde; 28. Hard Edge; 29. Place and the avant-garde,; 30. Situation and its legacy; 31. The emergence of Pop art; 32. Alloway's departureSection C: Abundance, 1961-19711. Arrival in the USA and "Clemsville"; 2. Junk art; 3. American Pop; 4. Curator at the Guggenheim; 5. Six Painters and the Object and Six More,; 6. Other writings on Pop; 7. Art as human evidence; 8. Alexander Liberman and Paul Feeley; 9. Systemic Painting,; 10. Abstraction and iconography; 11. The communications network; 12. Departure from the Guggenheim; 13. Exile in Carbondale; 14. Arts Magazine; 15. The Venice Biennale; 16. Return to New York: SVA, SUNY, and The Nation; 17. Options; 18. Expanding and disappearing works of art; 19. Alloway's Nation criticism20. Newness and the avant-garde21. Post-Minimal radicalism; 22. Historical revisions: Abstract Expressionism and Picasso; 23. Mass communications; 24. Film criticism; 25. Violent America; 26. Pluralism as a "unifying theory"; Section D: Alternatives, 1971-1988; 1. Disorientation and dissent in the art world; 2. Alloway and the politicization of art, 1968-1970; 3. Changing values, 1971-1972; 4. Artforum and the art world as a system; 5. 1973 and a new pluralism; 6. The uses and limits of art criticism; 7. Criticism and women's art, 1972-1974; 8. Women's art and criticism, 19759. The realist "renewal"10. Photo-Realism; 11. The realist "revival"; 12. Realist revisionism; 13. The decline of the avant-garde; 14. "Legitimate variables"; 15. Earth art; 16. Public art; 17. In praise of plenty; 18. Crises in the art world: criticism; 19. Crises in the art world: feminism; 20. Crises in the art world: curatorship; 21. The co-ops and "alternative" spaces; 22. Turn of the decade decline; 23. Mainstream...; 24. ... and "alternative"; 25. The last years; 26. The complex present; Section E: Summary and Conclusion; 1. Pluralism; 2. "Post-Modernism"; 3. Art history; 4. Art criticism5. Alloway's reputationLawrence Alloway (1926-1990) was one of the most influential and widely respected (as well as prolific) art writers of the post-war years. His many books, catalogue essays and reviews manifest the changing paradigms of art away from the formal values of modernism towards the inclusiveness of the visual culture model in the 1950s, through the diversity and excesses of the 1960s, to the politicisation in the wake of 1968 and the Vietnam war, on to postmodern concerns in the 1970s. Alloway was in the right places at the right times. From his central involvement with the Independent Group and theValue, Art, PoliticsArt, Modern20th centuryPluralismElectronic books.Art, ModernPluralism.701Whiteley Nigel145557MiAaPQMiAaPQMiAaPQBOOK9910462746003321Art and pluralism2477757UNINA$135.0009/17/2018Art