03827oam 2200673I 450 991046266380332120200520144314.00-203-07376-21-283-97254-91-135-10488-310.4324/9780203073766 (CKB)2670000000325569(EBL)1114663(OCoLC)827208961(SSID)ssj0000822632(PQKBManifestationID)11541266(PQKBTitleCode)TC0000822632(PQKBWorkID)10760511(PQKB)10451913(MiAaPQ)EBC1114663(Au-PeEL)EBL1114663(CaPaEBR)ebr10650297(CaONFJC)MIL428504(OCoLC)827004102(EXLCZ)99267000000032556920180706d2013 uy 0engur|n|---|||||txtccrTrauma and romance in contemporary British literature /edited by Jean-Michel Ganteau and Susana OnegaNew York :Routledge,2013.1 online resource (279 p.)Routledge studies in contemporary literature ;8Routledge studies in contemporary literature ;8Description based upon print version of record.0-415-66107-2 Includes bibliographical references and index.pt. I. Ghost stories, repetition and the transmission of trauma -- pt. II. Narratives of distress and individual trauma -- pt. III. Collective trauma, history and ethics -- pt. IV. Therapeutic romance."Drawing on a variety of theoretical approaches including trauma theory, psychoanalysis, genre theory, narrative theory, theories of temporality, cultural theory, and ethics, this book breaks new ground in bringing together trauma and romance, two categories whose collaboration has never been addressed in such a systematic and in-depth way. The volume shows how romance strategies have become an essential component of trauma fiction in general and traumatic realism in particular. It brings to the fore the deconstructive powers of the darker type of romance and its adequacy to perform traumatic acting out and fragmentation. It also zooms in on the variations on the ghost story as medium for the evocation of trans-generational trauma, as well as on the therapeutic drive of romance that favors a narrative presentation of the working-through phase of trauma. Chapters explore various acceptations and extensions of psychic trauma, from the individual to the cultural, analyzing narrative texts that belong in various genres from the ghost story to the misery memoir to the graphic novel. The selection of primary sources allows for a review of leading contemporary British authors such as Peter Ackroyd, Martin Amis, Ian McEwan, Salman Rushdie, Graham Swift, Sarah Waters and Jeanette Winterson, and of those less canonical such as Jackie Kay, Alan Moore and Dave Gibbons, Justine Picardie, Peter Roche and Adam Thorpe. "--Provided by publisher.Routledge Studies in Contemporary LiteratureEnglish fiction21st centuryHistory and criticismWounds and injuries in literaturePsychic trauma in literatureElectronic books.English fictionHistory and criticism.Wounds and injuries in literature.Psychic trauma in literature.823.009/3561Ganteau Jean-Michel889081Onega Jaen Susana889080MiAaPQMiAaPQMiAaPQBOOK9910462663803321Trauma and romance in contemporary British literature2030787UNINA