02534nam 2200637 a 450 991046259040332120220205004332.01-4214-1060-5(CKB)2670000000421197(EBL)3318720(SSID)ssj0000980720(PQKBManifestationID)11625162(PQKBTitleCode)TC0000980720(PQKBWorkID)10958348(PQKB)10757481(MiAaPQ)EBC3318720(OCoLC)857167626(MdBmJHUP)muse27382(Au-PeEL)EBL3318720(CaPaEBR)ebr10749069(OCoLC)923196163(EXLCZ)99267000000042119720130903d2013 uy 0engur|n|---|||||txtccrBlack soundscapes white stages[electronic resource]the meaning of Francophone sound in the black Atlantic /Edwin C. Hill JrBaltimore, Md. Johns Hopkins University Pressc20131 online resource (191 p.)The Callaloo African Diaspora SeriesDescription based upon print version of record.1-4214-1059-1 Includes bibliographical references and index.Introduction: Le tumulte noir (pt I): French imperial soundscapes and the New World -- "Adieu madras, adieu foulard": the Doudou's colonial complaint -- "To begin the Biguine": remembering Antillean musical time -- La Baker: Princesse Tam Tam and the Doudou's signature dilemma -- Negritude drum circles: the Tam-Tam and the beat -- Le poste colonial and technologies of the minor -- Conclusion: "Notes from the sound field".West Indian literature (French)History and criticismSound (Philosophy)African diaspora in literatureBlack peopleWest Indies, FrenchMusicHistoryBeguines (Music)West Indies, FrenchHistoryElectronic books.West Indian literature (French)History and criticism.Sound (Philosophy)African diaspora in literature.Black peopleMusicHistory.Beguines (Music)History.840.9/9729Hill Edwin C.1971-996616MiAaPQMiAaPQMiAaPQBOOK9910462590403321Black soundscapes white stages2285009UNINA